CHAPTER IV
SILENCES
"Who has not hearkened to Her infinite din?"—THOREAU.
Free alike from the clatter of pastimes and the creaks and groans of labour, this region discovers acute sensibility to sound. Silence in its rarest phases soothes the Isle, reproaching disturbances, though never so temperate. All the endemic sounds are primitive and therefore seldom harsh. Even the mysterious fall of a tree in the jungle—not an unusual occurrence on still days during the wet season—is unaccompanied by thud and shock. Encompassing vines and creepers, colossal in strength and overwhelming in weight, which have strained the tree to breaking point, ease their burden down, muffling its descent, though now and again the primal rupture of trunk or branch rings out a sharp protest, and following the fall is silence—that varying, elusive sensation not to he expressed by the absence of actual noise.
There are silences which tinkle or buzz in the ears, causing them to ache with stress and strain; silences dull and sad as a wad of wool; silences as searching as the odour of musk—as soothing as the perfume of violets. The crisp silence of the seashore when absolute calm prevails is as different from the strained, sodden, padded silence of the jungle as the savour of olives from the raw insipidity of white of egg, for the cumbersome mantle of leafage is the surest stifler of noise, the truest cherisher of silence.
The most imperious hour of this realm of silence is three o'clock in the afternoon, when the sun has absorbed the energies of the most volatile of birds and insects. An hour later all may begin to assert themselves after a reviving, siesta; yet during the intensest hour of silence any abrupt noise—a call, or whistle, or bark of a dog—finds an immediate response. No sound has been heard for an hour. All the birds have been stricken dumb or have been banished, yet as an echo to any violation of the silence comes the sweet, mellow, inquisitive note of the "moor-goody" (to use the black's name, for the shrike thrush). The bird seems fond of sound and will answer in trills and chuckles attempts to imitate its call.
The condition of perfect silence is not for this noisy sphere. The artist in so-called silences merely registers certain more or less delicate sound-waves flowing in easy contours, which others have not the leisure to distinguish. Often have I found myself as I strolled gloating over the exquisite absence of sound—enjoying in full mental relish the quaint and refined sensation. Yet when I have stopped and listened determinedly, viciously analysing my sensations, have I become aware of a hubbub of frail and interblended sounds. That which I had thought to be distilled silence, was microphonic Babel—an intimate commingling of analogous noises varying in quality and intensity. By wilful resistance to what Falstaff called "the disease of not listening," I have been privileged to become aware of the singing of a quiet tune, some of the phrases of which were directly derivative from inarticulate vegetation—the thud of glossy blue quandongs on the soft floor of the jungle, the clicking of a discarded leaf as it fell from topmost twigs down through the strata of foliage, the bursting of a seed-pod, the patter of rejects from the million pink-fruited fig, overhanging the beach, the whisper of leaves, the faint squeal where interlocked branches fret each other unceasingly, the sigh of phantom zephyrs too elusive to be felt.
Echoes from vistas of silence far in the jungle lost their individuality in a sob. Grasshoppers clinked in the forest, the hum of bees and beetles, the fluty plaint of a painted pigeon far in the gloom, the furtive scamper of scrub fowl among leaves made tender by decay, the splash of startled fish in the shadows, commingled and blended to the accompaniment of that subdued aerial buzz by which Nature manifests the more secret of her functions and art—that ineffable minstrelsy to which her silent battalions keep step. Preoccupation, the whirl of my own temperate thoughts, scared silence, while as soon as the mental machine was stilled, the very trees became vocal. Thus have I caught fleet silences as they passed in chase of fugitive sounds.
Since the morning stars sang together, absolute silence has not visited the uneasy earth. In this Silent Isle the ears—
"Set to small measure, deaf to all the beats
Of the large music rolling o'er the world"—