Though the powers of the flight of this bird are feeble it inhabits islands 3 and 4 miles further out to sea than their most adjacent neighbours. The laboured way in which a startled bird flies across the narrow expanse of my plantation proves that a long journey would never be undertaken voluntarily. Not many months ago some blacks walking on the beach on the mainland had their attention attracted by a bird flying low on the water from the direction of Dunk Island, 2 1/2 miles away. It was labouring heavily, and some little distance from land fell exhausted into the sea. When it drifted ashore—a godsend to the boys—it was found to be a megapode—and the feat was camp talk. None could credit that a "kee-rowan" could fly so far.
SWAMP PHEASANT
The swamp pheasant, or pheasant coucal (CENTROPUS PHASIANUS) is also an early bird, and a bird of varied linguistic capabilities. Folks are apt to associate with him but one note, and that resembling the mellow gurgle of cream from a bottle, "Glooc! glooc! glooc! glooc!" An intimate knowledge of his conversational powers leads one to conclude that there are few birds more widely accomplished in that direction. He does use the fluid phrase mentioned, but his notes and those of his consort cover quite a range of exclamations and calls. Just as I write a pair appeal for a just recognition of their accomplishments. That which I assume to be the lord and master utters a loud resonant "Toom! toom! toom! toom" a smooth trombonic sound, "hollow to the reverberate hills," which his consort answers with a series of "Tum! tum tum! tum!" on a higher but still harmonious key, and in accelerated tempo. This, I fancy, is the lover's serenade, and the soft assenting answer; almost invariably the loud hollow sound is the opening phrase of the duet. "Sole or responsive to each other's note," the birds make the forest resound again during the day, especially in the prime months, and even these notes find varied and pleasing expression. Free and joyous as a rule, occasionally they seem to indicate sadness and gloom. During and after a bush fire the birds give to the notes a mournful cadence like the memories of joy that are past, a lament for the destruction of the grass among which last year's dome-shaped nests were hidden. The swamp pheasant also utters a contented, self-complacent chuckle, that resembles the "Goo! goo! goo!" of a happy infant, and occasionally a succession of grating, discordant, mocking sounds, "Tcharn! tcharn! tcharn!" The chuckle may be an expression as if gloating over the detection and assimilation of some favourite dainty, and the harsh notes a demonstration of rivalry, anger and hostility. The more familiar and more frequent note is the "Toom," repeated about fourteen or sixteen times, and the thinner, softer response.
The bird resembles in plumage a pheasant. Cumbersome and slow of flight, clumsy in alighting, he frequently loses his equilibrium, and is compelled to use his long tail as a counter-balance, as he jumps from branch to branch ascending a tree, in order to gain elevation, whence to swoop and flop across the intervening space to the next. When compelled to take wing from a low elevation, the flight is slow and laboured in the extreme. He is a handsome fellow, the ruling colours being glossy black, brown and reddish chestnut. One writer describes the bird as half hawk, half pheasant, another as a non-parasitic cuckoo; another "really a cuckoo"; another a swamp or tree parrot with the foot of a lark. Without daring to attempt to dispute any of these descriptions, I may say that the bird is a decided character and possesses the charm of originality. He has become so confiding that he will perch on the gatepost as one enters, assuming a fierce and resentful aspect, and he will play "hawk" to the startled fowls. He eats the eggs of other birds and kills chicks; but his murderous instincts are rarely exhibited, and then only, perhaps, when his passions are aroused. He does not (as far as my observation goes) kill for food, but merely because Nature gives him at certain times and seasons a fiery, jealous disposition, and a truculent determination to protect his family.
"GO-BIDGER-ROO!"
As the sun shines over the range, the plaintive cooing of the little blue dove, such as picked the rice grains from the bowl beside rapt Buddha's hands, comes up from among the scented wattles on the flat, the gentlest and meekest of all the converse of the birds. The nervous yet fluty tones are as an emphatic a contrast to the vehement interjections and commands of the varied honey-cater (PTILOTIS VERSICOLOR)—now at the first outburst—as is the swiftly foreshortening profile of the range to the glare in which all the foreground quivers.
Once aroused, the varied honey-eater is wide awake. His restlessness is equalled only by his impertinent exclamations. He shouts his own aboriginal title, "Go-bidger-roo!" "Put on your boots!" "Which—which-which way-which way-which way you go!" "Get your whip!" "Get your whip!" "You go!" "You go!" "None of your cheek!" "None of your cheek!" "Here-here!" And darts out with a fluster from among the hibiscus bushes on the beach away up to the top of the melaleuca tree; pauses to sample the honey from the yellow flowers of the gin-gee, and down to the scarlet blooms of the flame tree, across the pandanus palms and to the shady creek for his morning bath and drink, shouting without ceasing his orders and observations. He is always with us, though not always as noisy as in the prime of the year—a cheerful, prying, frisky creature, always going somewhere or doing something in a red-hot hurry, and always making a song of it—a veritable babbler. His love-making is passionate and impulsive, joyous almost to rowdyism.
BULLY, SWAGGERER, SWASHBUCKLER
The drongo shrike is another permanent resident; glossy black, with a metallic shimmer on the shoulders, long-tailed, sharp of bill and masterful. He has a scolding tongue, and if a hawk hovers over the bloodwoods he tells without hesitation of the evil presence. He is the bully of the wilderness of leaves, bouncing birds vastly his superior in fighting weight and alertness of wing, and clattering his jurisdiction to everything that flies. When the nest on the nethermost branch of the Moreton Bay ash is packed with hungry brood, his industry is exhilarating. Ordinarily he gets all the food he wants by merely a superficial inspection; but with a family to provide for, he is compelled to fly around, shrewdly examining every likely looking locality. Clinging to the bark of the bloodwood, with tail spread out fan-wise as additional support, he searches every interstice, and ever and anon flies to the Moreton Bay ash, and tears off the curling fragments of crisp bark which afford concealment to the smaller beetles, grubs and spiders.
With the loose end of bark in his bill, tugging and fluttering, using his tail as a lever with the tree as a fulcrum, and objurgating in unseemly tones, as the bark resists his efforts, the drongo assists the Moreton Bay ash in discarding worn-out epidermis, and the tree reciprocates by offering safe nesting-place on its most brittle branches.