From the artistic standpoint the most admirable of all the citrus-trees is the pomelo, which, however, lacks merit from the commercial side. The tree grows more sedately than the orange or the mandarin, but on a grander scale. The leaves are bigger, tougher, and the appendages on either side of the stalk (which botanists call the stipules) more developed. The blooms are greater, and endowed with a much richer perfume than the orange; the fruit is huge and fragrant, though somewhat disappointing to the individual who expects the sweetness of the mandarin; while, if the views of the learned in such attributes are trustworthy it possesses medicinal qualities which are foreign to its dainty, diminutive relative. It would be mere affectation to refrain from these compliments to the pomelo when the atmosphere is saturated with the perfume from lusty trees. Certainly one has to wait patiently for many a long year ere his trees greet him with white flowers which pour out perfume of rare density and enrich him with golden fruit almost as big as footballs. From nine to twelve years must elapse, but expectancy is not wholly measurable by the arbitrariness of time. The true standard is the desire, tempered by the patience of the custodian of the trees.
In August the pomeloes put on their most attractive appearances. The young leaves of lively tint contrast with the almost sombre green of the older foliage, and flowers in clusters give a most becoming adornment. Big and beautiful as they are, scent is their most conspicuous feature. Even in the open air it is rich almost to cloyness. It hangs about the tree while the wind is still, and the slightest movement of the air wafts it hither and thither. It stings sensitive folk with its intensity at close quarters, but when diffused is fragrance of ethereal delight. All day long birds frolic in the trees, some to cull the nectar, some to search for insects attracted for like purpose, some to nibble and discard white petals. All the moist soil beneath is strewn with snowy flakes, for at night flying foxes blunder among the branches, destroying more blooms than they eat. But why grumble? Birds which nip off petals and musty foxes which brush down whole posies in their clumsiness are but positive checks to overproduction. Do they not avert the unthankful task of carting away dozens of barrow loads of superfluous fruit? Last night at dusk there was a sensation of the coming of rain, though the air was still and the sky clear. I paused under the trees to expand my lungs with their scented breathings. A semi-intoxicated bird twittered drowsily among the branches,
“His happy good-night air,
Some blessed hope, whereof he knew,
And I was unaware.”
Dozens of sphinx moths—big torpedo-shaped bodies carried by wings of soft brown and dull red—floated about, sipping where and when and as long as they liked. Sometimes the sphinx has almost an aggressive tone In his flight—hasty, important, brooking no interference. Last night's note was of supreme content. A rich and overflowing feast was spread and the insects hovered over the posies and sipped and fluted like merry roysterers, without a care or thought of the morrow. It was a love-feast, for the still night seemed to invite the trees to give of their richest and best; the psalm of the insects was audible, not to the distance whence the perfume was dissipated, but for many a scented yard. The trees seemed sanctified, and I stood bare-headed among them and gave my silent praise for a delightsome experience. Expectancy and patience had been overpaid.
THE SCENE-SHIFTER
“We are all going to the play or coming from it.”—DICKENS.
In a few hours came “the season's difference.” The scene-shifter worked with almost magical haste, with silence, and with supreme effect. The gloomy days and nights of misty hill-tops and damp hollows, where the grass was sodden and the air dull and irresponsive to sound, gave way to bright sunshine, cloudless skies, calm seas, echoing hills, and the tinge of that which for lack of the ideal word we call “spring.” Spring does not visit the tropical coast, where vegetation does not tolerate any period of rest. When plants are not actually romping with excess of vital force, as during the height of the wet season, they grow with the haste of summer. And yet immediately on the dispersal of the mists of July the least observance could not fail to recognise that a certain and elaborate change had taken place. The mango-trees had been flowering for several weeks in a trivial, half-hearted way, but when the sun sent its thrills down into the moist soil the lemons and pomeloes began to sweeten the air; the sunflower-tree displayed its golden crowns among huge soft leaves, and the last blooms of belated wattles fell, showing that it is possible for tributes representative of May and September to be paid on one and the same date.
The scene-shifter came softly “as the small rain upon the tender herb,” but with an orchestra of his own. Years of observation have shown that the weather does control the habits of some birds—birds of distinct and regular methods of life. Two such are common—the nutmeg pigeon and the metallic starling. Both species leave this part of the North during the third week of March, flying in flocks to regions nearer the equator. For several weeks the starlings train themselves for the long Northern flight and its perils, dashing with impetuous speed through the forest and wheeling up into the sky until they disappear, to become visible again as black dots hurtling through space when the sunlight plays on their glossy feathers as the course of the flock is changed. With the rush of a wind of small measure but immense velocity, the flock descends earthwards, among and over the trees, perfecting itself by trials of endurance and intricate alertness. The birds return during the first week in August, in small and silent companies, to reoccupy favourite resorts in common. The nutmeg pigeons are also of exact habit, the time for their return generally coinciding with that of the starlings. This year (1916) both birds were noticed just after the scene-shifter had swept the hills of mists, and now other birds seem to have awakened to the conditions which the starlings and the nutmegs brought with them from hotter lands. The swamp pheasants are whooping and gurgling, and that semi-migratory fellow, the spangled drongo—a flattering name, for he jangles but does not spangle—sits on the slim branch of the Moreton Bay ash which held last year's nest and chatters discordances in the very ears of his responsive mate. They will start building a loose nest on the brittlest branch forthwith, and while the lady sits on her three eggs he will screech defiances to the high heavens and perform aerial gymnastics with delirious delight.