QUIET WATERS

“Like playhouse scenes the shore slid past.”

KIPLING.

Lovable as is the open sea when the spray drenches the scanty clothing of the steersman and rains upon his lips salty salutation, yet is there rare delightsomeness in reverse of the wet frolic.

A few minutes past the deck glistened in the sun as each rollicking billow sent its herald over the bows, and here the surface of the river is almost rippleless. Shallows and uncertainties perplex its union with the ocean. Sombre green mangroves screen its muddy banks at full tide and trail leathery leaves and the tips of spindly fruit on its placid surface. Pendant roots and immersed branches create on each hand a continuous scroll of wavering ridges and eddies bordered with the living tints of the steadfast wall of leafage. The sun so burnishes the midstream ribbon that the boat seems to float on an invisible element. Though the topmost leaves of the mangroves fail to disclose any movement in the air, an unceasing and inharmonious hum tells of the sea idly shouldering the orange-hued sands outside.

The original inhabitants of the country knew the stream as Marang. None call it so; but half stranded on the bank at the mouth lies a raft typical of the past, and of the ease and resource with which those of the day are wont to avail themselves of Nature's suggestions in the art of crossing flooded waters. The name of the river has gone, but not that of the three buoyant logs lashed together with strips of cane which with sullen lurch, take the wash of the boat. The boys jerk their heads in the direction and murmur “wur-gun,” and speculate on the last user. The day is young. For the time being the best the ancient river has to show—the quintessence of the season, superb October—shall be ours. The cloudless sky is richly blue, lighter in shade than the shapely mountain which seems to block the way miles ahead. The sun gives a taste of its quality, not to fret or discomfort, but merely to add a slightly richer tint to skin glowing with previous marks of his fervour and favour.

All the sounds of the little engine are maliciously exaggerated as the boat forges ahead. The silent green river has become vociferous with echoes, which snap and grunt, groan and hiss, in mockery of inevitable and earnest doings. Out at sea the merry moods of the boat and hasty and determined throbs of the engine are manifestations of something accomplished in the overcoming of distance. Here it is all mere idle fancy, while the echoes jeer. Surely the uncouth imps of the dimly-lit jungles need not proclaim their spite with such exaggerated fuss.

With but little effort of imagination the boat becomes stationary on a shining ribbon with strips of dark green on each side, and the banks glide past with never so gentle undulations. The tide screens most of the mud on which the many-rooted trees stand. Some are in full bloom, the hawthorn-like flowers breathing perfume as from an orangery soliciting the raids of millions of bees. Scents cling to the placid surface. It is as a stream of scent, bounded and confined by changeful tints as the sun toys with the shadows, and curve after curve, reach after reach, slip by. Sometimes the chattering boat heads due east. South she knows too, and then she bows her duty to the west, along reaches which run straight and clean as a canal; and round hairpin bends she sweeps with disdainful air, as if conscious of besoiling banks.