And yet—this man could dance! She knew he was a stranger, although she had not even glanced above the second button on his shirt. Beyond doubt he was a vulgarian—one of the countless herd. But he could dance!
For the moment her irritation gave way to surprise. She had not expected this—after Morton and the Jones boy and Tom Witherbee. Here was a man who did not step on her feet, who did not employ her as a ram to batter his way through the swinging crowd, who did not crush her in a bearlike embrace, and who did not persistently fall out of time with the music.
He danced; he was neither a laggard nor a race-horse. He respected the functions of the band. To Rosalind it was like being rescued from a trampling mob and expertly piloted into a path of ease and safety and perpetual rhythm.
A common villager, perhaps; yet she yielded to the temptation. She also danced. And when Rosalind Chalmers really wanted to dance she was capable of attracting the eye and the envy of a Pavlowa. She was even conscious of a pang of regret that it would be so brief, for the fiend with the whistle would soon be playing his killjoy tune. But it was an oasis at least; one tiny, bright spot in a desert of clumsiness.
Rosalind half-closed her eyes and abandoned herself to the sway of the music. She was almost enjoying herself. He was not in her set, of course; yet there was a distinction about his dancing that seemed for the moment to lift him to that exalted plane.
She dreaded the whistle; it meant unknown terrors—perhaps even the Jones boy, who was circling near her with his arms full of a large lady in pink.
The ominous blast sounded.
"Please, if you don't mind—"
Rosalind marveled to find herself speaking, then checked her tongue and flushed.
A second later and she was marveling again, for her partner had understood. They were opposite one of the big French windows that led to the porch. As easily as if the maneuver had been rehearsed they swung through the opening and whirled away from the crowded room.