[1671] Cf. H. Logeman in Anglia, xix. 117.
[1672] Dekker, G. H. B. (1609), ‘on the very Rushes where the Commedy is to daunce ... must our fethered Estridge ... be planted’ ... ‘Salute all your gentle acquaintance, that are spred either on the rushes, or on stooles about you ... take vp a rush, and tickle the earnest eares of your fellow gallants’; 1 Hen. IV, III. i. 214, ‘She bids you on the wanton rushes lay you down’. In The Gentleman Usher (c. 1604, Blackfriars), II. i. 72, ‘Enter Bassiolo with Servants, with rushes and a carpet’, and Bassiolo says,
lay me ’em thus,
In fine smooth threaves; look you, sir, thus, in threaves.
Perhaps some tender lady will squat here,
And if some standing rush should chance to prick her,
She’d squeak, and spoil the songs that must be sung.’
[1673] Lawrence, i. 39, 161.
[1674] G. Harvey (1579, Letter Book, 67), ‘sum maltconceivid comedye fitt for the Theater, or sum other paintid stage whereat thou and thy liuely copesmates in London may lawghe ther mouthes and bellyes full for pence or twoepence apeece’; Spenser, Tears of the Muses (1591), 176, ‘That wont with comick sock to beautefie The painted Theaters’; cf. Graves, 68. Coryat, i. 386, in 1608, found a Venice play-house ‘very beggarly and base in comparison of our stately Play-houses in England: neyther can their Actors compare with us for apparell, shewes and musicke’. So in Case is Altered, II. vii. 30, the plays in Utopia (= England) are ‘set foorth with as much state as can be imagined’.
[1675] App. I; but cf. p. 524, n. 1.