1649.... Written by Fracis Beamont and John Fletcher Gent. For Humphrey Moseley. [A reissue, with Prologue and Epilogue, not written for the play; cf. Fleay, i. 205.]

Dissertation: B. Leonhardt, Die Text-Varianten von B. und F.’s T. and T. (1903, Anglia, xxvi. 345).

Fleay, i. 205, dates the play c. 1617, supposing it to be a satire on the French Court, and the name De Vitry to be that of the slayer of the Maréchal d’Ancre. Thorndike, 79, has little difficulty in disposing of this theory, although it may be pointed out that the Privy Council did in fact intervene to suppress a play about the Maréchal in 1617 (Gildersleeve, 113); but he is less successful in attempting to show any special plausibility in a date as early as 1607. A former conjecture by Fleay (E. S. ix. 21) that III and V. i are fragments of the anonymous Branholt of the Admiral’s in 1597 may also be dismissed with Greg (Henslowe, ii. 188). Most critics find, in addition to Fletcher, Massinger, as collaborator or reviser, according to the date given to the play, and some add Field or Daborne. Oliphant and Thorndike find Beaumont. So did Macaulay, 196, in 1883, but apparently not in 1910 (C. H. vi. 138).

The Nightwalker or The Little Thief (?)

S. R. 25 April 1639 (Wykes). ‘These fiue playes ... Night walters.... Crooke and William Cooke (Arber, iv. 464).

1640. The Night-Walker, or the Little Theife. A Comedy, As it was presented by her Majesties Servants, at the Private House in Drury Lane. Written by John Fletcher. Gent. Tho. Cotes for Andrew Crooke and William Cooke. [Epistle to William Hudson, signed ‘A. C.’.]

1661. For Andrew Crook.

Herbert licensed this as ‘a play of Fletchers corrected by Sherley’ on 11 May 1633 and it was played at Court by Queen Henrietta’s men on 30 Jan. 1634 (Variorum, iii. 236). The only justification for placing Fletcher’s version earlier than 1616 is the suspicion that the only plays of Beaumont or Fletcher which passed to the Cockpit repertory were some of those written for the Queen’s Revels or the Lady Elizabeth’s before that date.

Four Plays in One (?)

1647. Four Plays, or Moral Representations in One. [Part of F1. Induction with 2 Prologues, The Triumph of Honour, the Triumph of Love with Prologue, the Triumph of Death with Prologue, the Triumph of Time with Prologue, Epilogue.]