(c) An unnamed play with Field, Massinger, and Fletcher, the subject of undated correspondence (Henslowe Papers, 65 and possibly 70, 84) and possibly also of dated letters of July 1613 (H. P. 74).
(d) The Owl (9 Dec. 1613–28 March 1614). A comedy of this name is in Archer’s list of 1656, but Greg, Masques, xcv, thinks that Jonson’s Mask of Owls may be meant.
(e) The She Saint (2 April 1614).
Daborne has been suggested as a contributor to the Cupid’s Revenge, Faithful Friends, Honest Man’s Fortune, Thierry and Theodoret, and later plays of the Beaumont (q.v.) and Fletcher series, and attempts have been made to identify more than one of these with (c) above.
SAMUEL DANIEL (c. 1563–1619).
Daniel was born in Somerset, probably near Taunton, about 1563. His father is said to have been John Daniel, a musician; he certainly had a brother John, of the same profession. In 1579 he entered Magdalen Hall, Oxford, but took no degree. He visited France about January 1585 and sent an account of political affairs from the Rue St. Jacques to Walsingham in the following March (S. P. F. xix. 388). His first work was a translation of the Imprese of Paulus Jovius (1585). In 1586 he served Sir Edward Stafford, the English ambassador in Paris, and as a young man visited Italy. He was domesticated at Wilton, and under the patronage of Mary, Lady Pembroke, wrote his sonnets to Delia, the publication of which, partial in 1591 and complete in 1592, gave him a considerable reputation as a poet. The attempt of Fleay, i. 86, to identify Delia with Elizabeth Carey, daughter of Sir George Carey, afterwards Lord Hunsdon, breaks down. Nashe in The Terrors of the Night (1594, ed. McKerrow, i. 342) calls her a ‘second Delia’, and obviously the first was not, as Fleay suggests, Queen Elizabeth, but the heroine of the sonnets. Delia dwelt on an Avon, but the fact that in 1602 Lord Hunsdon took the waters at Bath does not give him a seat on the Avon there. Lady Pembroke’s Octavia (q.v.) inspired Daniel’s book-drama Cleopatra (1594). Other poems, notably The History of the Civil Wars (1595), followed. Tradition makes Daniel poet laureate after Spenser’s death in 1599. There was probably no such post, but it is clear from verses prefixed to a single copy (B.M.C. 21, 2, 17) of the Works of 1601, which are clearly addressed to Elizabeth, and not, as Grosart, i. 2, says, Anne, that he had some allowance at Court:
I, who by that most blessed hand sustain’d,
In quietnes, do eate the bread of rest.
(Grosart, i. 9.)
Possibly, however, this grant was a little later than 1599. Daniel acted as tutor to Anne Clifford, daughter of the Earl of Cumberland, at Skipton Castle, probably by 1599, when he published his Poetical Essays, which include an Epistle to Lady Cumberland. It might have been either Herbert or Clifford influence which brought him into favour with Lady Bedford and led to his selection as poet for the first Queen’s mask at the Christmas of 1603. No doubt this preference aroused jealousies, and to about this date one may reasonably assign Jonson’s verse-letter to Lady Rutland (The Forest, xii) in which he speaks of his devotion to Lady Bedford: