[665] Mayer, 259.
[666] Müllenhoff, 145, quoting Don Quixote, ii. 20; Z. f. d. A. xviii. 11; Du Méril, La Com. 86.
[667] Webster, The White Devil, v. 6, ‘a matachin, it seems by your drawn swords’; the ‘buffons’ is included in the list of dances in the Complaynt of Scotland (†1548); cf. Furnivall, Laneham’s Letter, clxii.
[668] Tabourot, Orchésographie, 97, Les Bouffons ou Mattachins. The dancers held bucklers and swords which they clashed together. They also wore bells on their legs.
[669] Cf. Appendix J.
[670] Henderson, 67. The sword-dance is also mentioned by W. Hutchinson, A View of Northumberland (1778), ii ad fin. 18; by J. Wallis, Hist. of Northumberland (1779), ii. 28, who describes the leader as having ‘a fox’s skin, generally serving him for a covering and ornament to his head, the tail hanging down his back’; and as practised in the north Riding of Yorks, by a writer in the Gentleman’s Magazine (1811), lxxxi. 1. 423. Here it took place from St. Stephen’s to New Year’s Day. There were six lads, a fiddler, Bessy and a Doctor. At Whitby, six dancers went with the ‘Plough Stots’ on Plough Monday. The figures included the placing of a hexagon or rose of swords on the head of one of the performers. The dance was accompanied with ‘Toms or clowns’ masked or painted, and ‘Madgies or Madgy-Pegs’ in women’s clothes. Sometimes a farce, with a king, miller, clown and doctor was added (G. Young, Hist. of Whitby (1817), ii. 880).
[671] Cf. Appendix J.
[672] R. Bell, Ancient Poems, Ballads and Songs of the Peasantry of England, 175.
[673] Cf. Appendix J.
[674] Mayer, 230, 417.