We pass now from the English Channel and the Rhine to consider that land which has given birth to a long line of robust, vigorous ships and men, who after the Phœnicians are the finest race of seamen that ever sailed a sea. A little clumsy like their ships the Scandinavians have always throughout history stood for manliness and strength. And if we were right when we submitted that a nation’s character exhibits itself in a most marked degree in its ships, surely of no people could this remark be made with greater truth than concerning the inhabitants of that Northern peninsula who, in the early days of our own country, harassed our forefathers beyond all endurance, but left behind to us the heritage of a love of the sea.[36] There is in the Viking ship and its descendants not so much beauty as nobility, not prettiness but power. The first mention of these Northerners is by Tacitus[37] who refers to them as the Suiones. (Tacitus died A.D. 108.) As Cæsar was struck by the difference between the Roman ships and those of the Veneti, so Tacitus remarks that the ships of the Suiones differ from the Romans’, too. Although these were not sailing ships—nec velis ministrantur—yet they were of the same design as those which were fitted with mast and sail. Double-ended, they could easily be beached and in battle could the more rapidly manœuvre ahead or astern.

Fig. 26. Ancient Scandinavian Rock-carving, showing Viking Ship-forms.

But we have much earlier information than the writings of the Roman chronicler. We have history written in stone, obvious, illustrative and imperishable. In many parts of the Scandinavian coast, beginning as far north as Trondhjem and extending right round to the isle of Gothland, are to be found many rock sculptures depicting the forms of both ships and men. A few have also been found in Denmark as well as on the shores of Lake Ladoga in Russia. These rock-carvings are really history set forth in picture language, primitive yet intelligible. In spite of all the hundreds of years that have rolled by, and the winds and rains that have dashed against them, they are still quite decipherable. Professor Gustafson in his book on Norwegian antiquities[38] gives several interesting pictures of these rock-carvings, and I am able here to reproduce one for the reader who will no doubt agree that the evidence here afforded is exceptionally striking. Fig. 26 shows the Viking-like ship beyond all doubt. Frequently these carvings are represented in groups and it has been thought that they record naval battles fought in the vicinity, the several representations of ships denoting fleets. The human figures perhaps are there as an eternal memorial of their admirals who perished or distinguished themselves in the fight. There are two kinds of craft in these carvings, Magnússon[39] points out. First there is the ship with the very high stem, and stern, and there is the other kind of vessel which lacks just these features. The former appears to have a double keel which makes it look as if the ship were put on a sledge. There is at the bow end a structure which is most probably a ram. As to the sledge-like formation below the body of the ship, I am inclined to think it may have been a removable keel to be attached to the ship when sailing and so give her flat-bottomed hull greater stability. In an old-fashioned part of the world, which is not so very far removed from Norway and which was in earlier times over-run by the Norsemen, in whose inhabitants to-day the flaxen hair and blue eyes and the Norwegian name are still to be found—in the counties of Norfolk and Suffolk—the trading wherries have just such an arrangement as this. When they have a full cargo on board and come to a shallow part of the river, they unhook the whole length of keel which is attached to bow and stern by an iron band, and leave it on the bank until they return down stream. Until quite recently not much change has taken place in the craft of this neighbourhood for ages, and it is quite possible that this double-ended wherry was as much swayed by Norwegian as by Dutch influence.

On some of these carvings a mast amidships is shown and their date belongs either to the Stone or the Bronze Age, though more probably the latter. Professor Montelius discourages the idea that the Phœnicians established themselves on the Baltic for the reason that the bronze culture found its way up to the North overland from the shores of the Mediterranean and especially the Adriatic. But in spite of this argument these sculptured forms show many points of resemblance to those of the Phœnicians’ ships as the reader will not fail to notice. Many northern archæologists think that these sculptures have been wrought by the hands of foreigners, and Mr. Magnússon suggests that in that case they may have been the work of the Veneti. Be that as it may, and let it be disputed whether they belong to the year 1500 B.C. or as late as 50 B.C., whether they were carved by the Vikings or the enemies of the Vikings, there they are still to be seen, admittedly of great antiquity and corresponding to the description of the ships of the Suiones as given by Tacitus.

But long before this latter date the Suiones must have been afloat. They could not suddenly have become owners of a mighty fleet—classibus valent. The very prefix “Nor” which is so common in this region—in the words “Norge,” “Nordheimsund,” “Norse,” to give but the first instances that come to one’s mind—signifies ship. It is the same stem that is found in the Greek ναυς and the Latin navis. In the Irish language noe also means ship and is found in the oldest tractates of the ancient laws of Ireland. We have already mentioned the important fact that Pytheas of Marseilles led an expedition in the fourth century B.C. by sea to Norway in the interests of the commercial community of Marseilles. This rather goes to show that the Gauls and Scandinavians had met on trading terms before and that one or both of the parties had journeyed to each other’s shore previously.

We know that the Norsemen sailed in early times frequently along the Eastern shores of the Baltic. We know that they voyaged to Denmark, Jutland, Germany and Russia, for they have left behind them unmistakable relics. For just as we are indebted to the funeral customs of the Egyptians for so much important knowledge of their ships, so to the burial rites of these hardy Northerners we owe a great debt of thanks for information as to their vessels. There were three kinds of burials adopted by the Norsemen. First, and this is the one we wish to draw immediate attention to, there was the custom of cremating the deceased Viking. His ashes, together with his personal property, were buried on land in a boat-shaped grave. The outlines of long, narrow, pointed shapes formed by a single line of stones in the countries just mentioned indicate the ship-shape resting places of these men who were so faithful to their vessels, who revered them so highly for having carried them during their lives safely across the turbulent sea, that even in death they desired not to be separated from them. Thus on land the very design of the stones was after the lines of that which is the noblest and most beautiful of all the creations of man.[40]

But there were two other modes of burial, each in its own way magnificently impressive and in keeping with the vigorous character of the Viking spirit. Of these two the first consisted in placing the body of the deceased in his own ship, then, setting the whole thing ablaze, the ship and its owner were carried out to sea a red, glaring mass, flaming up against the dark background of the horizon. This kind of obsequies, magnificently as it appeals to our imagination with its suggestion of colour, of grandeur and solemnity, has been inimical to the pursuit of historical knowledge. But even in spite of this, remains of unburned ships have been found among both the outer and inner shores of Trondhjem Fjord.[41]