Steadily, pitilessly she went back, step by step, through the hell of his past life. It was as vivid to her as though she had seen and felt it all; the helpless shivering of the naked soul, the mockery that was bitterer than death, the horror of loneliness, the slow, grinding, relentless agony. It was as vivid as if she had sat beside him in the filthy Indian hut; as if she had suffered with him in the silver-mines, the coffee fields, the horrible variety show—

The variety show—— No, she must shut out that image, at least; it was enough to drive one mad to sit and think of it.

She opened a little drawer in her writing-desk. It contained the few personal relics which she could not bring herself to destroy. She was not given to the hoarding up of sentimental trifles; and the preservation of these keepsakes was a concession to that weaker side of her nature which she kept under with so steady a hand. She very seldom allowed herself to look at them.

Now she took them out, one after another: Giovanni's first letter to her, and the flowers that had lain in his dead hand; a lock of her baby's hair and a withered leaf from her father's grave. At the back of the drawer was a miniature portrait of Arthur at ten years old—the only existing likeness of him.

She sat down with it in her hands and looked at the beautiful childish head, till the face of the real Arthur rose up afresh before her. How clear it was in every detail! The sensitive lines of the mouth, the wide, earnest eyes, the seraphic purity of expression—they were graven in upon her memory, as though he had died yesterday. Slowly the blinding tears welled up and hid the portrait.

Oh, how could she have thought such a thing! It was like sacrilege even to dream of this bright, far-off spirit, bound to the sordid miseries of life. Surely the gods had loved him a little, and had let him die young! Better a thousand times that he should pass into utter nothingness than that he should live and be the Gadfly—the Gadfly, with his faultless neckties and his doubtful witticisms, his bitter tongue and his ballet girl! No, no! It was all a horrible, senseless fancy; and she had vexed her heart with vain imaginings. Arthur was dead.

“May I come in?” asked a soft voice at the door.

She started so that the portrait fell from her hand, and the Gadfly, limping across the room, picked it up and handed it to her.

“How you startled me!” she said.

“I am s-so sorry. Perhaps I am disturbing you?”