OF
THE SECOND VOLUME.
| PAGE | |
| GUSHING MEN | [1] |
| SWEET SEVENTEEN | [9] |
| THE HABIT OF FEAR | [19] |
| OLD LADIES | [28] |
| VOICES | [37] |
| BURNT FINGERS | [46] |
| DÉSŒUVREMENT | [55] |
| THE SHRIEKING SISTERHOOD | [64] |
| OTHERWISE-MINDED | [72] |
| LIMP PEOPLE | [82] |
| THE ART OF RETICENCE | [91] |
| MEN'S FAVOURITES | [100] |
| WOMANLINESS | [109] |
| SOMETHING TO WORRY | [119] |
| SWEETS OF MARRIED LIFE | [127] |
| SOCIAL NOMADS | [136] |
| GREAT GIRLS | [145] |
| SHUNTED DOWAGERS | [155] |
| PRIVILEGED PERSONS | [164] |
| MODERN MAN-HATERS | [173] |
| VAGUE PEOPLE | [181] |
| ARCADIA | [190] |
| STRANGERS AT CHURCH | [199] |
| IN SICKNESS | [208] |
| ON A VISIT | [217] |
| DRAWING-ROOM EPIPHYTES | [227] |
| THE EPICENE SEX | [235] |
| WOMEN'S MEN | [243] |
| HOTEL LIFE IN ENGLAND | [252] |
| OUR MASKS | [261] |
| HEROES AT HOME | [268] |
| SEINE-FISHING | [276] |
| THE DISCONTENTED WOMAN | [285] |
| ENGLISH CLERGYMEN IN FOREIGN WATERING-PLACES | [293] |
| OLD FRIENDS | [302] |
| POPULAR WOMEN | [310] |
| CHOOSING OR FINDING | [319] |
| LOCAL FÊTES | [327] |
ESSAYS
UPON
SOCIAL SUBJECTS.
GUSHING MEN.
The picture of a gushing creature all heart and no brains, all impulse and no ballast, is familiar to most of us; and we know her, either by repute or by personal acquaintance, as well as we know our alphabet. But we are not so familiar with the idea of the gushing man. Yet gushing men exist, if not in such numbers as their sisters, still in quite sufficient force to constitute a distinct type. The gushing man is the furthest possible removed from the ordinary manly ideal, as women create it out of their own imaginations. Women like to picture men as inexorably just, yet tender; calm, grave, restrained, yet full of passion well mastered; Greathearts with an eye cast Mercywards if you will, else unapproachable by all the world; Goethes with one weak corner left for Bettina, where love may queen it over wisdom, but in all save love strong as Titans, powerful as gods, unchangeable as fate. They forgive anything in a man who is manly according to their own pattern and ideas. Even harshness amounting to brutality is condoned if the hero have a jaw of sufficient squareness, and mighty passions just within the limits of control—as witness Jane Eyre's Rochester and his long line of unpleasant followers. But this harshness must be accompanied by love. Like the Russian wife who wept for want of her customary thrashing, taking immunity from the stick to mean indifference, these women would rather have brutality with love than no love at all.
But a gushing man, as judged by men among men, is a being so foreign to the womanly ideal that very few understand him when they do see him. And they do not call him gushing. He is frank, enthusiastic, unworldly, aspiring; perhaps he is labelled with that word of power, 'high-souled;' but he is not gushing, save when spoken of by men who despise him. For men have an intense contempt for him. A woman who has no ballast, and whose self-restraint goes to the winds on every occasion, is accepted for what she is worth, and but little disappointment and less annoyance is felt for what is wanting. Indeed, men in general expect so little from women that their follies count as of course and only what might be looked for. They are like marriage, or the English climate, or a lottery ticket, or a dark horse heavily backed, and have to be taken for better or worse as they may turn out, with the violent probability that the chances are all on the side of the worse.