But though the ancients regarded Thanatos as a gloomy and mournful divinity, they did not represent him with any exterior repulsiveness. On the contrary, he appears as a beautiful youth, who holds in his hand an inverted

torch, emblematical of the light of life being extinguished, whilst his disengaged arm is thrown lovingly round the shoulder of his brother Hypnus.

Hypnus is sometimes depicted standing erect with closed eyes; at others he is in a recumbent position beside his brother Thanatos, and usually bears a poppy-stalk in his hand.

A most interesting description of the abode of Hypnus is given by Ovid in his Metamorphoses. He tells us how the god of Sleep dwelt in a mountain-cave near the realm of the Cimmerians, which the sun never pierced with his rays. No sound disturbed the stillness, no song of birds, not a branch moved, and no human voice broke the profound silence which reigned everywhere. From the lowermost rocks of the cave issued the river Lethe, and one might almost have supposed that its course was arrested, were it not for the low, monotonous hum of the water, which invited slumber. The entrance was partially hidden by numberless white and red poppies, which Mother Night had gathered and planted there, and from the juice of which she extracts drowsiness, which she scatters in liquid drops all over the earth, as soon as the sun-god has sunk to rest. In the centre of the cave stands a couch of blackest ebony, with a bed of down, over which is laid a coverlet of sable hue. Here the god himself reposes, surrounded by innumerable forms. These are idle dreams, more numerous than the sands of the sea. Chief among them is Morpheus, that changeful god, who may assume any shape or form he pleases. Nor can the god of Sleep resist his own power; for though he may rouse himself for a while, he soon succumbs to the drowsy influences which surround him.

MORPHEUS.

Morpheus, the son of Hypnus, was the god of Dreams.

He is always represented winged, and appears sometimes as a youth, sometimes as an old man. In his hand he bears a cluster of poppies, and as he steps with

noiseless footsteps over the earth, he gently scatters the seeds of this sleep-producing plant over the eyes of weary mortals.

Homer describes the House of Dreams as having two gates: one, whence issue all deceptive and flattering visions, being formed of ivory; the other, through which proceed those dreams which are fulfilled, of horn.

THE GORGONS.