"Did you invent that sort of panel thing?" said Sylvia Hardinge in awe.

Lily shook her head. She was nearly as much overwhelmed as was Sylvia.

"Nicholas got it. It's Chinese lacquer."

"My goodness!" said Sylvia, with a crispness and crudity of utterance that Lily felt inclined to echo.

Paris had been a curious, transitory stage of dressing up every day, sight-seeing, meeting new people, dining in crowded restaurants. There had all the time been a sense of impermanence, as though it was all a strange experiment that might be relinquished, half regretfully, half with relief, once accomplished.

At first, life in the London flat as Mrs. Aubray, seemed nearly as experimental.

There were a great many new people, already seen in glimpses during that confused and crowded period before the wedding, and scarcely distinguished one from another. Lily turned to Nicholas with a new sense of seeking a comparatively familiar refuge, after a bewildering number of encounters with these kind, strange faces.

Nicholas was out every day now, and Lily first awaited in herself the deplorable state of tearful loneliness that Cousin Ethel had once upon a time described to her as the portion of young wives. But whether because Nicholas, unlike Cousin Ethel's husband, was able and willing to give his wife a subscription to Mudie's Library, or whether because Lily had not been torn from the society of numerous brothers and sisters, no such dejection of spirits assailed her.

Housekeeping seemed to be an extraordinarily simple matter with an experienced cook, admirable servants, and the ample allowance given her by her husband. Lily's most arduous task in her household was the choosing of exquisite and expensive flowers at a Bond Street florist, and disposing them in her drawing-room.

She played a great deal upon the Erard piano, read a great many novels, a little poetry and an occasional volume of memoirs or biography, and tried to think of requirements in needlework that should keep her new maid occupied. It seemed a pleasant, leisurely, rather aimless sort of existence. Not quite what imagination had pictured married life to be.