A rotten business. It happened when Michael was twenty-two, and he expected never to be happy again. The sound of his own voice shouting as he was carried out, the doctor's voice saying, "I consider you responsible," the coming of Harold's parents, the voice of the curate summarizing Harold's relations with the unseen—all these things affected him so deeply that he supposed they would affect him for ever. They did not, because he lived to be over seventy, and with the best will in the world, it is impossible to remember clearly for so long. The mind, however sensitive and affectionate, is coated with new experiences daily; it cannot clear itself of the steady accretion, and is forced either to forget the past or to distort it. So it was with Michael. In time only the more dramatic incidents survived. He remembered Harold's final gesture (one hand grasping his own, the other plunged deep into the sea), because there was a certain æsthetic quality about it, not because it was the last of his friend. He remembered the final words for the same reason. "Don't you see the point of it? Well, you will some day." The phrase struck his fancy, and passed into his own stock; after thirty or forty years he forgot its origin. He is not to blame; the business of life snowed him under.
There is also this to say: he and Harold had nothing in common except youth. No spiritual bond could survive. They had never discussed theology or social reform, or any of the problems that were thronging Michael's brain, and consequently, though they had been intimate enough, there was nothing to remember. Harold melted the more one thought of him. Robbed of his body, he was so shadowy. Nor could one imagine him as a departed spirit, for the world beyond death is surely august. Neither in heaven nor hell is there place for athletics and aimless good temper, and if these were taken from Harold, what was left? Even if the unseen life should prove an archetype of this, even if it should contain a sun and stars of its own, the sunburn of earth must fade off our faces as we look at it, the muscles of earth must wither before we can go rowing on its infinite sea. Michael sadly resigned his friend to God's mercy. He himself could do nothing, for men can only immortalize those who leave behind them some strong impression of poetry or wisdom.
For himself he expected another fate. With all humility, he knew that he was not as Harold. It was no merit of his own, but he had been born of a more intellectual stock, and had inherited powers that rendered him worthier of life, and of whatever may come after it. He cared for the universe, for the tiny tangle in it that we call civilisation, for his fellow-men who had made the tangle and who transcended it. Love, the love of humanity, warmed him; and even when he was thinking of other matters, was looking at Orion perhaps in the cold winter evenings, a pang of joy, too sweet for description, would thrill him, and he would feel sure that our highest impulses have some eternal value, and will be completed hereafter. So full a nature could not brood over death.
To summarize his career.
Soon after the tragedy, when he in his turn was recruiting, he met the woman who was to become his helpmate through life. He had met her once before, and had not liked her; she had seemed uncharitable and hard. Now he saw that her hardness sprang from a morality that he himself lacked. If he believed in love, Janet believed in truth. She tested all men and all things. She had no patience with the sentimentalist who shelters from the world's rough and tumble. Engaged at that time to another man, she spoke more freely to Michael than she would otherwise have done, and told him that it is not enough to feel good and to feel that others are good; one's business is to make others better, and she urged him to adopt a profession. The beauty of honest work dawned upon the youth as she spoke. Mentally and physically, he came to full manhood, and, after due preparation, he entered the Home Civil Service—the British Museum.
Here began a career that was rather notable, and wholly beneficial to humanity. With his ideals of conduct and culture, Michael was not content with the official routine. He desired to help others, and, since he was gifted with tact, they consented to the operation. Before long he became a conciliatory force in his department. He could mollify his superiors, encourage his inferiors, soothe foreign scholars, and show that there is something to be said for all sides. Janet, who watched his rise, taxed him again with instability. But now she was wrong. The young man was not a mere opportunist. He always had a sincere opinion of his own, or he could not have retained the respect of his colleagues. It was really the inherent sweetness of his nature at work, turned by a woman's influence towards fruitful ends.
At the end of a ten years' acquaintance the two married. In the interval Janet had suffered much pain, for the man to whom she had been engaged had proved unworthy of her. Her character was set when she came to Michael, and, as he knew, strongly contrasted with his own; and perhaps they had already interchanged all the good they could. But the marriage proved durable and sufficiently happy. He, in particular, made endless allowances, for toleration and sympathy were becoming the cardinal points of his nature. If his wife was unfair to the official mind, or if his brother-in-law, an atheist, denounced religion, he would say to himself, "They cannot help it; they are made thus, and have the qualities of their defects. Let me rather think of my own, and strive for a wider outlook ceaselessly." He grew sweeter every day.
It was partly this desire for a wider outlook that turned him to literature. As he was crossing the forties it occurred to him to write a few essays, somewhat retrospective in tone, and thoughtful rather than profound in content. They had some success. Their good taste, their lucid style, the tempered Christianity of their ethics, whetted the half-educated public, and made it think and feel. They were not, and were not intended to be, great literature, but they opened the doors to it, and were indubitably a power for good. The first volume was followed by "The Confessions of a Middle-aged Man." In it Michael paid melodious tribute to youth, but showed that ripeness is all. Experience, he taught, is the only humanizer; sympathy, balance and many-sidedness cannot come to a man until he is elderly. It is always pleasant to be told that the best is yet to be, and the sale of the book was large. Perhaps he would have become a popular author, but his wife's influence restrained him from writing anything that he did not sincerely feel. She had borne him three children by now—Henry, Catherine, and Adam. On the whole they were a happy family. Henry never gave any trouble. Catherine took after her mother. Adam, who was wild and uncouth, caused his father some anxiety. He could not understand him, in spite of careful observation, and they never became real friends. Still, it was but a little cloud in a large horizon. At home, as in his work, Michael was more successful than most men.
Thus he slipped into the fifties. On the death of his father he inherited a house in the Surrey hills, and Janet, whose real interests were horticultural, settled down there. After all, she had not proved an intellectual woman. Her fierce manner had misled him and perhaps herself into believing it. She was efficient enough in London society, but it bored her, for she lacked her husband's pliancy, and aged more rapidly than he did. Nor did the country suit her. She grew querulous, disputing with other ladies about the names of flowers. And, of course, the years were not without their effect on him, too. By now he was somewhat of a valetudinarian. He had given up all outdoor sports, and, though his health remained good, grew bald, and rather stout and timid. He was against late hours, violent exercise, night walks, swimming when hot, muddling about in open boats, and he often had to check himself from fidgeting the children. Henry, a charming sympathetic lad, would squeeze his hand and say, "All right, father." But Catherine and Adam sometimes frowned. He thought of the children more and more. Now that his wife was declining, they were the future, and he was determined to keep in touch with them, remembering how his own father had failed with him. He believed in gentleness, and often stood between them and their mother. When the boys grew up he let them choose their own friends. When Catherine, at the age of nineteen, asked if she might go away and earn some money as a lady gardener, he let her go. In this case he had his reward, for Catherine, having killed the flowers, returned. She was a restless, scowling young woman, a trial to her mother, who could not imagine what girls were coming to. Then she married and improved greatly; indeed, she proved his chief support in the coming years.
For, soon after her marriage, a great trouble fell on him. Janet became bedridden, and, after a protracted illness, passed into the unknown. Sir Michael—for he had been knighted—declared that he should not survive her. They were so accustomed to each other, so mutually necessary, that he fully expected to pass away after her. In this he was mistaken. She died when he was sixty, and he lived to be over seventy. His character had passed beyond the clutch of circumstance and he still retained his old interests and his unconquerable benignity.