Close below him he could now see the white fragments of his sister's letter. In the valley the campanile appeared, rising out of wisps of silvery vapour.
"Dear lady!" he whispered, making towards the village a little movement with his hands.
II
Miss Raby's first novel, "The Eternal Moment," was written round the idea that man does not live by time alone, that an evening gone may become like a thousand ages in the courts of heaven—the idea that was afterwards expounded more philosophically by Maeterlinck. She herself now declared that it was a tiresome, affected book, and that the title suggested the dentist's chair. But she had written it when she was feeling young and happy; and that, rather than maturity, is the hour in which to formulate a creed. As years pass, the conception may become more solid, but the desire and the power to impart it to others are alike weakened. It did not altogether displease her that her earliest work had been her most ambitious.
By a strange fate, the book made a great sensation, especially in unimaginative circles. Idle people interpreted it to mean that there was no harm in wasting time, vulgar people that there was no harm in being fickle, pious people interpreted it as an attack upon morality. The authoress became well known in society, where her enthusiasm for the lower classes only lent her an additional charm. That very year Lady Anstey, Mrs. Heriot, the Marquis of Bamburgh, and many others, penetrated to Vorta, where the scene of the book was laid. They returned enthusiastic. Lady Anstey exhibited her water-colour drawings; Mrs. Heriot, who photographed, wrote an article in The Strand; while The Nineteenth Century published a long description of the place by the Marquis of Bamburgh, entitled "The Modern Peasant, and his Relations with Roman Catholicism."
Thanks to these efforts, Vorta became a rising place, and people who liked being off the beaten track went there, and pointed out the way to others. Miss Raby, by a series of trivial accidents, had never returned to the village whose rise was so intimately connected with her own. She had heard from time to time of its progress. It had also been whispered that an inferior class of tourist was finding it out, and, fearing to find something spoilt, she had at last a certain diffidence in returning to scenes which once had given her so much pleasure. Colonel Leyland persuaded her; he wanted a cool healthy spot for the summer, where he could read and talk and find walks suitable for an athletic invalid. Their friends laughed; their acquaintances gossiped; their relatives were furious. But he was courageous and she was indifferent. They had accomplished the expedition under the scanty ægis of Elizabeth.
Her arrival was saddening. It displeased her to see the great hotels in a great circle, standing away from the village where all life should have centred. Their illuminated titles, branded on the tranquil evening slopes, still danced in her eyes. And the monstrous Hôtel des Alpes haunted her like a nightmare. In her dreams she recalled the portico, the ostentatious lounge, the polished walnut bureau, the vast rack for the bedroom keys, the panoramic bedroom crockery, the uniforms of the officials, and the smell of smart people—which is to some nostrils quite as depressing as the smell of poor ones. She was not enthusiastic over the progress of civilisation, knowing by Eastern experiences that civilisation rarely puts her best foot foremost, and is apt to make the barbarians immoral and vicious before her compensating qualities arrive. And here there was no question of progress: the world had more to learn from the village than the village from the world.
At the Biscione, indeed, she had found little change—only the pathos of a survival. The old landlord had died, and the old landlady was ill in bed, but the antique spirit had not yet departed. On the timbered front was still painted the dragon swallowing the child—the arms of the Milanese Visconti, from whom the Cantùs might well be descended. For there was something about the little hotel which compelled a sympathetic guest to believe, for the time at all events, in aristocracy. The great manner, only to be obtained without effort, ruled throughout. In each bedroom were three or four beautiful things—a little piece of silk tapestry, a fragment of rococo carving, some blue tiles, framed and hung upon the whitewashed wall. There were pictures in the sitting-rooms and on the stairs—eighteenth-century pictures in the style of Carlo Dolce and the Caracci—a blue-robed Mater Dolorosa, a fluttering saint, a magnanimous Alexander with a receding chin. A debased style—so the superior person and the textbooks say. Yet, at times, it may have more freshness and significance than a newly-purchased Fra Angelico. Miss Raby, who had visited dukes in their residences without a perceptible tremor, felt herself blatant and modern when she entered the Albergo Biscione. The most trivial things—the sofa cushions, the table cloths, the cases for the pillows—though they might be made of poor materials and be æsthetically incorrect, inspired her with reverence and humility. Through this cleanly, gracious dwelling there had once moved Signor Cantù with his china-bowled pipe, Signora Cantù in her snuff-coloured shawl, and Bartolommeo Cantù, now proprietor of the Grand Hôtel des Alpes.
She sat down to breakfast next morning in a mood which she tried to attribute to her bad night and her increasing age. Never, she thought, had she seen people more unattractive and more unworthy than her fellow-guests. A black-browed woman was holding forth on patriotism and the duty of English tourists to present an undivided front to foreign nations. Another woman kept up a feeble lament, like a dribbling tap which never gathers flow yet never quite ceases, complaining of the food, the charges, the noise, the clouds, the dust. She liked coming here herself, she said; but she hardly liked to recommend it to her friends: it was the kind of hotel one felt like that about. Males were rare, and in great demand; a young one was describing, amid fits of laughter, the steps he had taken to astonish the natives.