“Why, no; how could I? The fact is—well, I got taken by surprise, but after all, what does it matter? There’s no earthly reason why we shouldn’t do the business pleasantly. He’s a perfectly charming person, and so are his friends. I’m his friend now—his long-lost brother. What’s the harm? I tell you, Miss Abbott, it’s one thing for England and another for Italy. There we plan and get on high moral horses. Here we find what asses we are, for things go off quite easily, all by themselves. My hat, what a night! Did you ever see a really purple sky and really silver stars before? Well, as I was saying, it’s absurd to worry; he’s not a porky father. He wants that baby as little as I do. He’s been ragging my dear mother—just as he ragged me eighteen months ago, and I’ve forgiven him. Oh, but he has a sense of humour!”
Miss Abbott, too, had a wonderful evening, nor did she ever remember such stars or such a sky. Her head, too, was full of music, and that night when she opened the window her room was filled with warm, sweet air. She was bathed in beauty within and without; she could not go to bed for happiness. Had she ever been so happy before? Yes, once before, and here, a night in March, the night Gino and Lilia had told her of their love—the night whose evil she had come now to undo.
She gave a sudden cry of shame. “This time—the same place—the same thing”—and she began to beat down her happiness, knowing it to be sinful. She was here to fight against this place, to rescue a little soul—who was innocent as yet. She was here to champion morality and purity, and the holy life of an English home. In the spring she had sinned through ignorance; she was not ignorant now. “Help me!” she cried, and shut the window as if there was magic in the encircling air. But the tunes would not go out of her head, and all night long she was troubled by torrents of music, and by applause and laughter, and angry young men who shouted the distich out of Baedeker:—
Poggibonizzi fatti in la,
Che Monteriano si fa citta!
Poggibonsi was revealed to her as they sang—a joyless, straggling place, full of people who pretended. When she woke up she knew that it had been Sawston.
Chapter 7
At about nine o’clock next morning Perfetta went out on to the loggia, not to look at the view, but to throw some dirty water at it. “Scusi tanto!” she wailed, for the water spattered a tall young lady who had for some time been tapping at the lower door.
“Is Signor Carella in?” the young lady asked. It was no business of Perfetta’s to be shocked, and the style of the visitor seemed to demand the reception-room. Accordingly she opened its shutters, dusted a round patch on one of the horsehair chairs, and bade the lady do herself the inconvenience of sitting down. Then she ran into Monteriano and shouted up and down its streets until such time as her young master should hear her.
The reception-room was sacred to the dead wife. Her shiny portrait hung upon the wall—similar, doubtless, in all respects to the one which would be pasted on her tombstone. A little piece of black drapery had been tacked above the frame to lend a dignity to woe. But two of the tacks had fallen out, and the effect was now rakish, as of a drunkard’s bonnet. A coon song lay open on the piano, and of the two tables one supported Baedeker’s “Central Italy,” the other Harriet’s inlaid box. And over everything there lay a deposit of heavy white dust, which was only blown off one moment to thicken on another. It is well to be remembered with love. It is not so very dreadful to be forgotten entirely. But if we shall resent anything on earth at all, we shall resent the consecration of a deserted room.