In answer to the summons an old armah brought tea and little rice cakes which O Hara San dispensed with great dignity and seriousness. She drank innumerable cupfuls while Craven took three or four to please her and then lit a cigarette. He smoked in silence watching the dainty little kneeling figure, following the quick movements of her hands as she manipulated the fragile china on the low stool before her, the restraint she imposed upon herself as she struggled with the excited happiness that manifested itself in the rapid heaving of her bosom, and the transient smile on her lips, and a heavy frown gathered on his face. She looked up suddenly, the tiny cup poised in her hand midway to her mouth.
“You happy in Tokio?”
“Yes.”
It was not the answer for which she had hoped and her eyes dropped at the curt monosyllable. She put the cup back on the tray and folded her hands in her lap with a faint little sigh of disappointment, her head drooping pensively. Craven knew instinctively that he had hurt her and hated himself. It was like striking a child. But presently she looked up again and gazed at him soberly, wrinkling her forehead in unconscious imitation of his.
“O Hara San very bad selfish girl. Hoping you very unhappy in Tokio,” she said contritely.
He laughed at the naive confession and the gloom vanished from his face as he stood up, his long limbs cramped with the uncongenial attitude.
“What have you been doing while I was away?” he asked, crossing the room to look at a new kakemono on the wall.
She flitted away silently and returned in a few moments carrying a small panel. She put it into his hands, drawing near to him within the arm he slipped round her and slanted her head against him, waiting for his criticism with the innate patience of her race.
Craven looked long at the painting. It was a study of a solitary fir tree, growing at the edge of a cliff—wind-swept, rugged. The high precipice on which it stood was only suggested and far below there was a hint of boundless ocean—foam-crested.
It was the tree that gripped attention—a lonely outpost, clinging doggedly to its jutting headland, rearing its head proudly in its isolation; the wind seemed to rustle through its branches, its gnarled trunk showed rough and weather-beaten. It was a poem of loneliness and strength.