Girdled with gold my little lady’s bower Stands at the portals of a world in flower, And down her ways the changing blossoms mark How the Spring grows each day from dawn to dark.

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When forth she moves, her dainty foot is set, On cowslip, hyacinth and violet, And all day long the woodland minstrels sing Changes of measure for her pleasuring. And all night long a passionate music stirs Without her walls—the darkened belt of firs; Hushed in their waving boughs the low winds brood, Murmuring the sea’s song for an interlude. Caris Brooke.

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The last bright relic of the moon’s full gold Burns on the swiftly flowing river’s breast; No sound but restless dipping of strong oars To break the charm of nature’s perfect rest. Far off the town’s faint mingled clamours stir, And through the silence of the nearer light The incense of the evening mist floats up— The day’s last lingering love-word to the night. A sudden shiver of regretful change Sighs through the whispering boughs that overhead Sway in the wind’s breath: down the red sun dips, And in the twilight’s arms the day lies dead. Then rain, and after, moonshine cold and fair, And scent of earth, sweet with the evening rain, And slow soft speech beneath the rain-washed trees, Ah, that such things should never come again! [!-- png 020 --] Oh listening trees, where are the words we spoke? Where are our sighs, wind whom those sighs caressed? Oh! what a fate is ours, too swift, too sad, If such an hour goes by with all the rest! E. Nesbit.

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What o’clock is it, children dear? Ask of the dandelions here! Blow, blow, blow, and away they go— But they do not tell us the time you know! Say, what month is it, children dear? We think it is August because we hear The swing of the sickle, restless and slow, And that’s a sign of the month, you know.

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