On the pink paper inside was written—
"Come to me at once. I am dying. You must come.—Ida.—Apinshaw Farm, Mellor, Derbyshire."
There was a train at twelve to Marple, the nearest station. I took it. I tell you there are some things that cannot be written about. My life for those long months was one of them, that journey was another. What had her life been for those months? That question troubled me, as one is troubled in every nerve at the sight of a surgical operation or a wound inflicted on a being dear to one. But the overmastering sensation was joy—intense, unspeakable joy. She was alive! I should see her again. I took out the telegram and looked at it: "I am dying." I simply did not believe it. She could not die till she had seen me. And if she had lived all those months without me, she could live now, when I was with her again, when she knew of the hell I had endured apart from her, and the heaven of our meeting. She must live. I would not let her die.
There was a long drive over bleak hills. Dark, jolting, infinitely wearisome. At last we stopped before a long, low building, where one or two lights gleamed faintly. I sprang out.
The door opened. A blaze of light made me blink and draw back. A woman was standing in the doorway.
"Art thee Arthur Marsh?" she said.
"Yes."
"Then, th'art ower late. She's dead."
II.
I went into the house, walked to the fire, and held out my hands to it mechanically, for, though the night was May, I was cold to the bone. There were some folks standing round the fire and lights flickering. Then an old woman came forward with the northern instinct of hospitality.