"Perhaps he rises with the lark," said Alice, "and is wondering why brekker isn't ready."
So then we listened at the sitting-room doors, and through the keyhole of the parlour we heard a noise of some one moving, and then in a soft whistle the tune of the "Would I were a bird" song.
So then we went into the dining-room to sit down. But when we opened the door we almost fell in a heap on the matting, and no one had breath for a word—not even for "Krikey," which was what we all thought.
I have read of people who could not believe their eyes; and I have always thought it such rot of them, but now, as the author gazed on the scene, he really could not be quite sure that he was not in a dream, and that the gentleman and the night in the Mill weren't dreams too.
"Pull back the curtains," Alice said, and we did. I wish I could make the reader feel as astonished as we did.
The last time we had seen the room the walls had been bare and white. Now they were covered with the most splendid drawings you can think of, all done in coloured chalk—I don't mean mixed up, like we do with our chalks—but one picture was done in green, and another in brown, and another in red, and so on. And the chalk must have been of some fat radiant kind quite unknown to us, for some of the lines were over an inch thick.
"How perfectly lovely!" Alice said; "he must have sat up all night to do it. He is good. I expect he's trying to live the higher life, too—just going about doing secretly, and spending his time making other people's houses pretty."
"I wonder what he'd have done if the room had had a large pattern of brown roses on it, like Mrs. Beale's," said Noël. "I say, look at that angel! Isn't it poetical? It makes me feel I must write something about it."
It was a good angel—all drawn in grey, that was—with very wide wings going right across the room, and a whole bundle of lilies in his arms. Then there were seagulls and ravens, and butterflies, and ballet girls with butterflies' wings, and a man with artificial wings being fastened on, and you could see he was just going to jump off a rock. And there were fairies, and bats, and flying-foxes, and flying-fish. And one glorious winged horse done in red chalk—and his wings went from one side of the room to the other, and crossed the angel's. There were dozens and dozens of birds—all done in just a few lines—but exactly right. You couldn't make any mistake about what anything was meant for.
And all the things, whatever they were, had wings to them. How Oswald wishes that those pictures had been done in his house!