"You'll never be too old for it," to Mrs. Red House—which seemed to Oswald most silly and unmeaning, because she was already much too old to be kissed by people unless she chose to begin it. But every one seemed to think Noël had said something clever. And Oswald felt like a young ass. But Mrs. R.H. looked at him so kindly and held out her hand so queenily that, before he knew he meant to, he had kissed it like you do the Queen's. Then, of course, Denny and Dicky went and did the same. Oswald wishes that the word "kiss" might never be spoken again in this world. Not that he minded kissing Mrs. Red House's hand in the least, especially as she seemed to think it was nice of him to—but the whole thing is such contemptible piffle.

We were seen home by the gentleman who wasn't Mr. Red House, and he stood a glorious cab with a white horse who had a rolling eye, from Blackheath Station, and so ended one of the most adventuring times we ever got out of a play-beginning.

The time ended as the author has pointed out, but not its resultingness. Thus we ever find it in life—the most unharmful things, thoroughly approved even by grown-ups, but too often lead to something quite different, and that no one can possibly approve of, not even yourself when you come to think it over afterwards, like Noël and H.O. had to.

It was but natural that the hearts of the young explorers should have dwelt fondly on everything underground, even drains, which was what made us read a book by Mr. Hugo, all the next day. It is called "The Miserables," in French, and the man in it, who is a splendid hero, though a convict and a robber and various other professions, escapes into a drain with great rats in it, and is miraculously restored to the light of day, unharmed by the kindly rodents. (N.B.—Rodents mean rats.)

When we had finished all the part about drains it was nearly dinner-time, and Noël said quite suddenly in the middle of a bite of mutton—

"The Red House isn't nearly so red as ours is outside. Why should the cellars be so much cellarier? Shut up H.O.!" For H.O. was trying to speak.

Dora explained to him how we don't all have exactly the same blessings, but he didn't seem to see it.

"It doesn't seem like the way things happen in books," he said, "In Walter Scott it wouldn't be like that, nor yet in Anthony Hope. I should think the rule would be the redder the cellarier. If I was putting it into poetry I should make our cellars have something much wonderfuller in them than just wooden things. H.O., if you don't shut up I'll never let you be in anything again."

"There's that door you go down steps to," said Dicky; "we've never been in there. If Dora and I weren't going with Miss Blake to be fitted for boots we might try that."

"That's just what I was coming to. (Stow it, H.O.!) I felt just like cellars to-day, while you other chaps were washing your hands for din.—and it was very cold; but I made H.O. feel the same, and we went down, and—that door isn't shut now."