“And you won’t do it again,” said Matilda, “will you?”
“No, of course not,” said the Princess, very much surprised, “why should I? I was spiteful when I was thin, but now I’m fat again I want every one to be happy.”
“But how can any one be happy?” asked Matilda, severely, “when every one is turned into something they weren’t meant to be? There’s your dear father—he’s a desirable villa—the Prime Minister was a little boy, and he got back again, and now he’s turned into a Comic Opera. Half the Palace housemaids are breakers, dashing themselves against the Palace crockery: the Navy, to a man, are changed to French poodles, and the Army to German sausages. Your favourite nurse is now a flourishing steam laundry, and I, alas! am too clever by half. Can’t that horrible bird do anything to put us all right again?”
“No,” said the Princess, dissolved in tears at this awful picture, “he told me once himself that when he laughed he could only change one or two things at once, and then, as often as not, it turned out to be something he didn’t expect. The only way to make everything come right again would be—but it can’t be done! If we could only make him laugh on the wrong side of his mouth. That’s the secret. He told me so. But I don’t know what it is, let alone being able to do it. Could you do it, Matilda?”
“No,” said Matilda, “but let me whisper. He’s listening. Pridmore could. She’s often told me she’d do it to me. But she never has. Oh, Princess, I’ve got an idea.”
The two were whispering so low that the Cockatoucan could not hear, though he tried his hardest. Matilda and the Princess left him listening.
Presently he heard a sound of wheels. Four men came into the rose-garden wheeling a great red thing in a barrow. They set it down in front of the Cockatoucan, who danced on his perch with rage.
“Oh,” he said, “if only some one would make me laugh, that horrible thing would be the one to change. I know it would. It would change into something much horrider than it is now. I feel it in all my feathers.”
The Princess opened the cage-door with the Prime Minister’s key, which a tenor singer had found at the beginning of his music. It was also the key of the comic opera. She crept up behind the Cockatoucan and tickled him under both wings. He fixed his baleful eye on the red Automatic Machine and laughed long and loud; he saw the red iron and glass change before his eyes into the form of Pridmore. Her cheeks were red with rage and her eyes shone like glass with fury.
