Lady St. Craye, biting her lips in lonely dissection of herself and of him, dared take no comfort. Also, she no longer dared to follow him, to watch him, to spy on him.
In her jasmine-scented leisure Lady St. Craye analysed herself, and him and Her. Above all Her—who was Betty. To find out how it all seemed to her—that, presently, seemed to Lady St. Craye the one possible, the one important thing. So after she had given a few days to the analysis of that kiss, had failed to reach certainty as to its elements, had writhed in her failure, and bitterly resented the mysteries constituent that falsified all her calculations, she dressed herself beautifully, and went to call on the constituent, Betty.
Betty was at home. She was drawing at a table, cunningly placed at right angles to the window. She rose with a grace that Lady St. Craye had not seen in her. She was dressed in a plain gown, that hung from the shoulders in long, straight, green folds. Her hair was down.—And Betty had beautiful hair. Lady St. Craye's hair had never been long. Betty's fell nearly to her knees.
"Oh, was the door open?" she said. "I didn't know, I've—I'm so sorry—I've been washing my hair."
"It's lovely," said the other woman, with an appreciation quite genuine. "What a pity you can't always wear it like that!"
"It's long," said Betty disparagingly, "but the colour's horrid. What Miss Voscoe calls Boy colour."
"Boy colour?"
"Oh, just nothing in particular. Mousy."
"If you had golden hair, or black, Miss Desmond, you'd have a quite unfair advantage over the rest of us."
"I don't think so," said Betty very simply; "you see, no one ever sees it down."