"Yes; shew her in, of course," he answered irritably.
And to himself he said:
"The Devil!"
CHAPTER VI.
THE CRIMINAL.
If you have found yourself, at the age of eighteen, a prisoner in your own bedroom you will be able to feel with Betty. Not otherwise. Even your highly strung imagination will be impotent to present to you the ecstasy of rage, terror, resentment that fills the soul when locked door and barred windows say, quite quietly, but beyond appeal: "Here you are, and here, my good child, you stay."
All the little familiar objects, the intimate associations of the furniture of a room that has been for years your boudoir as well as your sleeping room, all the decorations that you fondly dreamed gave to your room a cachet—the mark of a distinctive personality,—these are of no more comfort to you than would be strange bare stone walls and a close unfamiliar iron grating.
Betty tried to shake the window bars, but they were immovable. She tried to force the door open, but her silver buttonhook was an insufficient lever, and her tooth-brush handle broke when she pitted it in conflict against the heavy, old-fashioned lock. We have all read how prisoners, outwitting their gaolers, have filed bars with their pocket nail-scissors, and cut the locks out of old oak doors with the small blade of a penknife. Betty's door was only of pine, but her knife broke off short; and the file on her little scissors wore itself smooth against the first unmoved bar.
She paced the room like a caged lioness. We read that did the lioness but know her strength her bars were easily shattered by one blow of her powerful paw. Betty's little pink paws were not powerful like the lioness's, and when she tried to make them help her, she broke her nails and hurt herself.
It was this moment that Letitia chose for rapping at the door.