The moment she was out of his sight she quickened her pace, found Mr. Edward Basingstoke in the bar putting his change in his pocket, and, the moment the two were outside the street door, said, just, "We must run for it." This was, providentially, true. And they ran for it, just catching it, without a breath to spare.

Why did she not tell him that she had seen Schultz, that stout squire of the South Coast road? For one thing, Mr. Schultz seemed long ago and irrelevant. For another, he was discordant, and his very name, spoken, would break the spell of a very charming quiet which had infolded her and Edward all day long. Then there was the crowded carriage with the Brazilian gentleman, all observant, black, beady eye, and long yellow ear. And then, anyhow, what was the good of raking up Mr. Schultz, whom Edward had never really liked. So she did not tell him. Nor, for much the same reason, did he tell her that one of that shouting party who climbed into the train after it had actually started, and whom he saw as he leaned out of the window to buy chocolate from an accidental boy, was very like that chap Schultz—as like, in fact, as two peas.

And the next day she packed up everything, and he packed up a good deal, and they started for Warwick; arrived there, had luncheon, and became immediately a pair of ardent sight-seers.

The guide-book in the coffee-room assured them that "no visitor to Warwick with any sense of propriety thinks of remaining long without paying his respects to that historic and majestic pile known as Warwick Castle," and this, they agreed, settled the question.

So they went and saw Warwick Castle, with its great gray towers and its high gray walls, its green turf, and old, old trees. They saw the banqueting-hall that was burned down, and Guy's punch-bowl that holds Heaven knows how many gallons.

"It makes you thirsty to look at it," said Edward.

Also they saw the Portland vase which lives in a glass house all by itself, and the bed where Queen Anne slept, and the cedar drawing-room and the red drawing-room and the golden drawing-room, and all the other rooms which are "shown to visitors," and longed lawlessly to see the rooms that are not so shown.

"There must be some comfortable rooms in the house," she said. "Even lords and ladies and Miss O'Gradys couldn't really live in these museums." And, indeed, all the rooms they saw were much too full of things curious, precious, beautiful, and ugly; but mostly large and all costly.