"He might, at least, have smiled," she said, as the sour-faced Neptune man turned toward the boat-house. "I hope he'll give us red cushions and a nice, 'arty sort of carpet."
"You get no carpets here," he assured her. "Lucky if we have so much as a strip of cocoanut matting. This is not the languid, luxurious Thames. On the Medway life is real, life is earnest. You mostly pull a hundred yards, anchor and fish; or if you do go farther from harbor you open your own locks, with your own crowbar. The best people are always a bit shabby. You and I, no doubt, are the cynosure of every eye. Yes, that'll do; we'll put the basket in the stern, then the ginger-beer here. We'll put the cloak over it to keep it cool. All right, thank you. Crowbar in? Right. Throw in the painter. Right."
Neptune pushed them with his trident and the boat swung out into midstream. A few strokes took them out of sight of the Anchor, its homely, flowered garden, its thatched house, its hornbeam arbor; they passed, too, the ugly, bare house that some utilitarian misdemeanant has built next to it, then nothing but depths of willow copse, green and gray, and the grassy curves of the towing-path where the loosestrife grows, and the willow herb, the yellow yarrow, and the delicate plumes of the meadow-sweet.
"'Blond loosestrife and red meadow-sweet among,
We tracked the shy Thames shore.'"
he quoted.
"It's like a passport," she said—"or finding that you haven't lost your ticket, after all—when people have read the same things and remembered them. But don't you love the bit that begins about 'the tempestuous moon in early June,' and ends up with the 'uncrumpling fern and scent of hay new-mown'? I wonder why it is that when people quote poetry in books you feel that they're Laura-Matilda-ish, and when they do it really you quite like it. Do you write poetry?"
He looked at her guiltily. "Look out to the left," he said; "there's an absolutely perfect thatched barn, and four oast-houses—you know, where they dry the hops, with little fires of oak chips. Have you ever been in an oast-house? We will some day—"
She was silent as the boat slipped past the old farm buildings, the old trees, the long perfection of the barn, and the deep red and green of the mossy oast-house wall going down sheer to the smooth, brown water, and hung at crevice and cranny with little ferns and little flowers—herb-robert and stonecrop. The reflection, till his oars shattered it, was as perfect as the building itself, and she drew a deep breath and turned to look back as the boat slid past.
"You were right," she said, "it is a darling little river. And you do write poetry, don't you?"