"I love you, dear—I love you," he repeated, and the words were oddly pleasant to say. "Won't you love me a little, too?"
She covered her face with her hands. She could no more have doubted him than she could have doubted the God to whom she had prayed night and morning for all these lonely years.
"Love you a little?" she said softly. "Ah! Robert, don't you know that I've loved you all my life?"
So a lie won what truth could not gain. And the odd thing is that the lie has now grown quite true, and he really believes that he has always loved her, just as he certainly loves her now. For some lies come true in the telling. But most of them do not, and it is not wise to try experiments.
THE GIRL WITH THE GUITAR
THE last strains of the ill-treated, ill-fated "Intermezzo" had died away, and after them had died away also the rumbling of the wheels of the murderous barrel-organ that had so gaily executed that, along with the nine other tunes of its repertory, to the admiration of the housemaid at the window of the house opposite, and the crowing delight of the two babies next door.
The young man drew a deep breath of relief, and lighted the wax candles in the solid silver candlesticks on his writing-table, for now the late summer dusk was falling, and that organ, please Heaven, made full the measure of the day's appointed torture. There had been five organs since dinner—and seven in the afternoon—one and all urgently thumping their heavy melodies into his brain, to the confusion of the thoughts that waited there, eager to marshal themselves, orderly and firm, into the phalanx of an article on "The Decadence of Criticism."