The beautiful presence moved along the room to the harp, that too was in the field of vision bounded by the tarnished gold of the mirror’s frame. She seated herself on a chair of faded needlework and drew the golden harp towards her. Then she sang softly in the starry voice that was hers in speaking. The song was in a language that none of them knew (Charles said afterwards that it was Latin), but it was not like any Latin the girls had ever heard. And the music was starry too. And the meaning of the song seemed to be love and parting and hope and noble dreams and the desire of great and good things; a song that made one very happy and yet made one feel as though one must cry. Softer and softer the voice grew, softer and softer the gentle, resonant tones of the harp. The song ended.
‘Now,’ said the lady, ‘farewell!’
The children closed their eyes, Caroline put her hand over Charles’s to ‘make sure,’ and so moved was he by the singing and the beautiful mystery of the whole adventure, that he hardly wriggled at all. There was a soft rustling sound behind them. Very slowly they all counted from one to twenty-seven. Caroline’s hand was clasping Charlotte’s, and at the end of the count a long pressure, returned, told each that the other had finished her counting.
They opened their eyes, turned round. The drawing-room was empty. It seemed impossible. Yet it was true.
‘It’s all over,’ said Charles.
‘But we’ve seen Her,’ said Caroline.
‘We’ve heard Her,’ said Charlotte.
‘Yes,’ said Charles, ‘I intend to be perfectly good every minute, as long as I live. I wish Rupert had been here. He would never have done anything wrong again either, like he did when——’
‘It’s very wrong,’ Charlotte interrupted, ‘to remember things other people have done wrong. Come on, let’s go back to the dining-room. It’s lonely here without Her.’