By what means it was accomplished that Rupert Gunning should attend the first rehearsal he did not exactly understand; he found himself enmeshed in a promise to meet every one else at the Town Hall with tea at the Carterets’ afterwards. Up to this point the fact that he was to appear before the public with a blackened face had been diplomatically withheld from him, and an equal diplomacy was shown on his arrival in the deputing of Miss Fitzroy to break the news to him.
“Mrs. Carteret says it’s really awfully becoming,” said Fanny, breathless and brilliant from assiduous practice of a hornpipe under Captain Carteret’s tuition, “and as for trouble! We might as well make a virtue of necessity in this incredibly dirty place; my hands are black already, and I’ve only swept the stage!”
She was standing at the edge of the platform that was to serve as the stage, looking down at him, and it may be taken as a sufficient guide to his mental condition that his abhorrence of the prospect for himself was swallowed up by fury at the thought of it for her.
“Are you—do you mean to tell me you are going to dance with a black face?” he demanded in bitter and incongruous wrath.
“No, I’m going to dance with Captain Carteret!” replied Fanny frivolously, “and so can you if you like!”
She was maddeningly pretty as she smiled down at him, with her bright hair roughened, and the afterglow of the dance alight in her eyes and cheeks. Nevertheless, for one whirling moment, the old Adam, an Adam blissfully unaware of the existence of Eve, asserted himself in Rupert. He picked up his cap and stick without a word, and turned towards the door. There, however, he was confronted by Mrs. Carteret, tugging at a line of chairs attached to a plank, like a very small bird with a very large twig. To refuse the aid that she immediately demanded was impossible, and even before the future back row of the sixpennies had been towed to its moorings, he realised that hateful as it would be to stay and join in these distasteful revels, it would be better than going home and thinking about them.
From this the intelligent observer may gather that absence had had its traditional, but by no means invariable, effect upon the heart of Mr. Gunning, and, had any further stimulant been needed, it had been supplied in the last few minutes by the aggressive and possessive manner of Captain Carteret.
The rehearsal progressed after the manner of amateur rehearsals. The troupe, with the exception of Mr. Gunning, who remained wrapped in silence, talked irrepressibly, and quite inappropriately to their rôle as Green Coons. Freddy Alexander and Mr. Taylour bear-fought untiringly for possession of the bones and the position of Corner Man; Mrs. Carteret alone had a copy of the music that was to be practised, and in consequence, the company hung heavily over her at the piano in a deafening and discordant swarm. The two tall Hamiltons, hitherto speechless by nature and by practice, became suddenly exhilarated at finding themselves in the inner circle of the soldiery, and bubbled with impotent suggestions and reverential laughter at the witticisms of Mr. Taylour. Fanny Fitz and Captain Carteret finally removed themselves to a grimy corner behind the proscenium, and there practised, sotto voce, the song with banjo accompaniment that was to culminate in the hornpipe. Freddy Alexander had gone forth to purchase a pack of cards, in the futile hope that he could prevail upon Mrs. Carteret to allow him to inflict conjuring tricks upon the audience.
“As if there were anything on earth that bored people as much as card tricks!” said that experienced lady to Rupert Gunning. “Look here, would you mind reading over these riddles, to see which you’d like to have to answer. Now, here’s a local one. I’ll ask it—‘Why am dis room like de Enniscar Demesne?’—and then you’ll say, ‘Because dere am so many pretty little deers in it’!”
“Oh, I couldn’t possibly do that!” said Rupert hastily, alarmed as well as indignant; “I’m afraid I really must go now—”