“Why not?”
Mrs. Carteret’s small neat features seemed unnaturally sharpened, and her eyes and teeth glittered in her excitement.
“For goodness’ sake, take your awful little black face away, Mabel!” exclaimed Fanny hysterically. “It quite frightens me! I’m very angry with Mr. Gunning! I’ll tell you why some other time.”
“Well, don’t forget you’ve got to say ‘Buck up, Sambo!’ to him after he’s sung his song, and you may fight with him as much as you like afterwards,” said Mrs. Carteret, hurrying off to paint glaring vermilion mouths upon the loudly protesting Hamiltons.
During these vicissitudes, Rupert Gunning, arrayed in a green swallow-tailed calico coat, short white cotton trousers, and a skimpy nigger wig, presented a pitiful example of the humiliations which the allied forces of love and jealousy can bring upon the just. Fanny Fitz has since admitted that, in spite of the wrath that burned within her, the sight of Mr. Gunning morosely dabbing his long nose with the repulsive sponge that was shared by the troupe, almost moved her to compassion.
A pleasing impatience was already betraying itself in cat-calls and stampings from the sixpenny places, and Mrs. Carteret, flitting like a sheep dog round her flock, arranged them in couples and drove them before her on to the stage, singing in chorus, with a fair assumption of hilarity, “As we go marching through Georgia”.
For Fanny Fitz the subsequent proceedings became merged in a nightmare of blinding heat and glare, made actual only by poignant anxiety as to the length of her green skirt. The hope that she might be unrecognisable was shattered by the yell of “More power, Miss Fanny!” that crested the thunderous encore evoked by her hornpipe with Captain Carteret, and the question of the skirt was decided by the fact that her aunts, in the front row, firmly perused their programmes from the beginning of her dance to its conclusion.
The entertainment went with varying success after the manner of its kind. The local hits and personal allusions, toilfully compiled and ardently believed in, were received in damping silence, while Rupert Gunning’s song, of the truculent order dedicated to basses, and sung by him with a face that would have done credit to Othello, received an ovation that confirmed Captain Carteret in his contempt for country audiences. The performance raged to its close in a “Cake Walk,” to the inspiring strains of “Razors a-flying through the air,” and the curtain fell on what the Enniscar Independent described cryptically as “a tout ensemble à la conversazione that was refreshingly unique”.
“Five minutes more and I should have had heat apoplexy!” said Mrs. Carteret, hurling her turban across the clerk’s room, “but it all went splendidly! Empty that basin out of the window, somebody, and give me the vaseline. The last time I blacked my face it was covered with red spots for a week afterwards because I used soap instead of vaseline!”
Rupert Gunning approached Fanny with an open note in his hand.