Companion to the Bible

by E. P. Barrows

JOB.	ISAIAH
THE PROSPERITY OF THE RIGHTEOUS.	THE PROSPERITY OF ZION.
He shall deliver thee in six troubles: yea, in seven there shall no evil touch thee. In famine he shall redeem thee from death: and in war from the power of the sword. Thou shalt be hid from the scourge of the tongue: neither shalt thou be afraid of destruction when it cometh. At destruction and famine thou shalt laugh: neither shalt thou be afraid of the beasts of the earth. For thou shalt be in league with the stones of the field: and the beasts of the field shall be at peace with thee. And thou shalt know that thy tabernacle shall be in peace; and thou shalt visit thy habitation, and shalt not sin. Thou shalt know also that thy seed shall be great, and thine offspring as the grass of the earth. Thou shalt come to thy grave in a full age, like as a shock of corn cometh in in his season. Ch. 5:19-26.	Violence shall no more be heard in thy land, wasting nor destruction within thy borders, but thou shalt call thy walls Salvation, and thy gates Praise. The sun shall be no more thy light by day; neither for brightness shall the moon give light unto thee; but the Lord shall be unto thee an everlasting light, and thy God thy glory. Thy sun shall no more go down; neither shall thy moon withdraw itself: for the Lord shall be thine everlasting light, and the days of thy mourning shall be ended. Thy people also shall be all righteous: they shall inherit the land forever, the branch of my planting, the work of my hands, that I may be A little one shall become a thousand, and a small one a strong nation: I the Lord will hasten it in his time. Ch. 60:18-22.
JOB.	ISAIAH.
THE OVERTHROW OF THE WICKED.	THE OVERTHROW OF ZION'S ENEMIES.
He shall flee from the iron weapon, and the bow of steel shall strike him through. It is drawn, and cometh out of the body; yea, the glittering sword cometh out of his gall: terrors are upon him. All darkness shall be hid in his secret places: a fire not blown shall consume him; it shall go ill with him that is left in his tabernacle. The heaven shall reveal his iniquity; and the earth shall rise up against him. The increase of his house shall depart, and his goods shall flow away in the day of his wrath. Ch. 20:24-28.	For he bringeth down them that dwell on high; the lofty city, he layeth it low; he layeth it low, even to the ground; he bringeth it even to the dust. The foot shall tread it down, even the feet of the poor, and the steps of the needy. Ch. 26:5, 6. For I will contend with him that contendeth with thee, and I will save thy children. And I will feed them that oppress thee with their own flesh; and they shall be drunken with their own blood, as with sweet wine: and all flesh shall know that I the Lord am thy Saviour and thy Redeemer, the mighty one of Jacob. Ch. 49:25, 26

If now we open the book of Psalms, we find ourselves in a new world of poetry, as different from that of Isaiah as it is from that of the book of Job. David was anointed by God to be the head and leader of Israel. As such he had a perpetual outward conflict with powerful, crafty, and malicious foes, who sought his life and his kingdom. This brought to him a perpetual inward conflict with doubts and fears. Under the pressure of this double conflict he penned those wonderful psalms, which are the embodiment of his whole religious life. And since heart answers to heart, as face to face in water, they are the embodiment of religious life in all ages. The songs of David and his illustrious collaborators, Asaph and the sons of Korah, are emphatically the poetry of religious experience. As such they can never grow old. They are as fresh to-day as when they were written. God has given them to his church as a rich treasury for "the service of song in the house of the Lord," in the family, and in the closet. If we turn from the book of Psalms to the book of Proverbs, we have still another type of poetry, unlike any one of the forms hitherto considered. It is the poetry of reflection on the course of human life, as seen in the light of God's law and God's providence. It is, therefore, didactic in the highest sense of the word—the poetry of practical life. The maxims of heavenly wisdom embodied in the book of Proverbs will make all who study them, believe them, and obey them, prosperous in this life and happy in the life to come. This contrast between the great Hebrew poets might be carried through the whole galaxy, but the above hints must suffice.

Diversity of themes often coincides with difference in the character of the poets. Where the theme is the same, each writer will still pursue his own peculiar method. If that theme be the vengeance of God on the wicked, the style will naturally be rugged and abrupt. Yet the ruggedness and abruptness of David will not be that of Hosea or Nahum. But where both the theme and the character of the poet differ, there the diversity of style becomes very striking. To illustrate this, take the two following passages:

DAVID.	NAHUM.
GOD'S FAVOR TO THE RIGHTEOUS.	GOD'S VENGEANCE ON THE WICKED.
The Lord is my shepherd; I shall not want. He maketh me to lie down in green pastures: he leadeth me beside the still waters. He restoreth my soul: he leadeth me in the paths of righteousness for his name's sake. Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me; thy rod and thy staff they comfort me. Thou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runneth over. Surely goodness and mercy shall follow me all the days of my life; and I will dwell in the house of the Lord for ever. Psa. 23.	The mountains quake at him, and the hills melt, and the earth is burned at his presence, yea, the world, and all that dwell therein. Who can stand before his indignation? and who can abide in the fierceness of his anger? his fury is poured out like fire, and the rocks are thrown down by him. The Lord is good, a strong hold in the day of trouble; and he knoweth them that trust in him. But with an overrunning flood he will make an utter end of the place thereof, and darkness shall pursue his enemies. Nahum 1:5-8.

The passage from Nahum is like a pent-up mountain stream leaping from precipice to precipice. The psalm is like the same stream escaped to the plain, and winding its way gently and placidly through green meadows and shady groves vocal with the songs of birds. This subject might be pursued to an indefinite extent. Suffice it to say that Hebrew poetry has the charm of endless variety, always with graceful adaptation to the nature of the theme.

The oriental imagery in which Hebrew poetry abounds imparts to it a peculiar and striking costume. Palestine was, in an emphatic sense, the Hebrew poet's world. It was the land given by God to his fathers for an everlasting possession; about which all his warm affections clustered; with whose peculiar scenery and climate, employments and associations, all his thoughts and feelings had been blended from childhood. It followed of necessity that these must all wear an oriental costume. As soon as he opens his mouth there comes forth a stream of eastern imagery, very natural and appropriate to him, but much of it very strange to us of these western regions. To understand the extent of this characteristic one has only to peruse the Song of Solomon. The bride is black but comely as the tents of Kedar, as the curtains of Solomon. She is a dove in the clefts of the rock; her hair is as a flock of goats, that appear from Mount Gilead; her teeth are like a flock of sheep which come from the washing; her lips are like a thread of scarlet; her temples are like a piece of a pomegranate; her stature is like a palm tree, and her breasts like clusters of grapes—all thoroughly oriental. So also the bridegroom is like a roe or a young hart leaping upon the mountains; his eyes are as the eyes of doves by the rivers of waters; his cheeks are as a bed of spices; his lips like lilies, dropping sweet-smelling myrrh, and his countenance as Lebanon, excellent as the cedars. So also if we open the book of Isaiah, we find the Messiah described as "the shadow of a great rock in a weary land"—a figure which could not well occur to an Englishman or an American, but was perfectly natural in the mouth of a Hebrew familiar with the terrible sun of the Asiatic deserts, where neither tree nor cloud offers a shelter to the thirsty and fainting traveller. Precisely here lies much of the obscurity of which the expounders of Hebrew poetry complain. True, there are other difficulties of a formidable character. The theme is often vast, stretching into the distant and dimly-revealed future; the language rugged with abrupt transitions, the historic allusions obscure, and the meaning of the terms employed doubtful. But aside from all these considerations the western scholar encounters a perpetual difficulty in the fact that he is not of oriental birth, and can enter but imperfectly into the spirit and force of oriental imagery. What costs him days of laborious investigation would open itself like a flash of lightning to his apprehension—all except that which remains dark from the nature of the prophetic themes—could he but have that perfect apprehension of the language, the historic allusions, the imagery employed, and the modes of thought, which was possessed by the contemporaries of the Hebrew poet.

It remains that we notice in the last place what may be called the theocratic imagery of the Hebrew poets; that is, imagery borrowed from the institutions of the Mosaic law. The intense loyalty of the Hebrew poets to the Mosaic law has already been noticed. They were its divinely-appointed expositors and defenders, and their whole religious life was moulded by it. No wonder, then, that their writings abound with allusions to its rites and usages. The sweet psalmist of Israel will abide in God's tabernacle for ever, and trust in the covert of his wings, the literal tabernacle on Zion representing God's spiritual presence here and his beatific presence hereafter (Psa. 61:4 and elsewhere); he will have his prayer set forth before God as incense, and the lifting up of his hands as the evening sacrifice (Psa. 141:2); he will be purged with hyssop that he may be clean, and washed that he may be whiter than snow (Psa. 51: 7); he will offer to God the sacrifice of a broken spirit (Psa. 51:17); the people promise to render to God the calves of their lips (Hosea 14:2); the vengeance of God upon Edom is described as "a sacrifice in Bozrah, and a great slaughter in the land of Idumea," in which the Lord's sword shall be filled with the blood of lambs and goats and the fat of the kidneys of rams (Isa. 34: 6); with allusions to the Levitical sprinklings God promises that he will sprinkle upon his penitent and restored people clean water that they may be clean (Ezek. 36: 25); and with allusion to the sacrificial flocks assembled at Jerusalem on the occasion of her great festivals, that he will increase them with men like a flock—"as the holy flock, as the flock of Jerusalem in her solemn feasts; so shall the waste cities be filled with flocks of men" (Ezek. 36:37, 38). How full the book of Psalms is of allusions to the solemn songs of the sanctuary with their accompaniment of psaltery and harp, trumpet and cornet, every reader understands. This subject might be expanded indefinitely, but the above hints must suffice.