“There are a packet of prospectuses—”
“Send them along, too.”
“And a proposal from a Mr. Poppleton Watts that you should endow a national theatre, for which he offers himself as actor manager. You provide the cash, and he takes the whole responsibility off your shoulders. The letter is dated from the Corn Exchange, Market Harborough.”
“Scrap him with the rest,” Jacob directed, leaning back in his chair. “Anything more you want for the place, Dick?”
The two men looked around. There were rows of neatly arranged files, all empty; an unused typewriter; a dictaphone and telephone. The outer office, where Dauncey spent much of his time, was furnished with the same quiet elegance as the inner apartment. There seemed to be nothing lacking.
“A larger waste-paper basket is the only thing I can suggest,” Dauncey observed drily.
Then came the sound for which, with different degrees of interest, both men had been waiting since the opening of the offices a fortnight before. There was a tap at the outer door, the sound of a bell and footsteps in the passage. Dauncey hurried out, closing the door of the private office behind him. His chief drew a packet of papers from a receptacle in his desk, forced a frown on to his smooth forehead, and buried himself in purposeless calculations.
Dauncey confronted the visitors. There were two of them—one whose orientalism of speech and features was unsuccessfully camouflaged by the splendour of his city attire, the other a rather burly, middle-aged man, in a worn tweed suit, carrying a bowler hat, with no gloves, and having the general appearance of a builder or tradesman of some sort. His companion took the lead.
“Is Mr. Jacob Pratt in?” he enquired.
“Mr. Pratt is in but very busy,” Dauncey answered doubtfully. “Have you an appointment?”