“In this temple,” the young man narrated, “is a great statue of a Chinese god—Buddha, I suppose—and on either side of it are two smaller ones made from hard wood, marvellously carved, and, some say, a thousand years old. Each is supposed to be a counterpart of the greater God, and yet they demonstrate an amazingly presented allegory. They bear a likeness to one another, they bear a likeness to the God himself, but each is curiously different. In one you seem to trace the whole of the evil qualities which could ever enter into the character of man, and in the other, all the good qualities. One is hideous and the other beautiful. Yet, if you put them side by side and glance quickly from one to the other, the two seem to grow together so that the impression of the Image which is left in your mind is that of the great God above. They are called the Body and the Soul.”
“This story I have heard,” Wu Ling admitted.
“I have heard it many times, but I scarcely believed it—until I saw,” the young man continued. “I had only a few minutes in the temple and there was danger all around, yet for a moment they took my breath away. I could scarcely move. Why, the man who fashioned them might have been an oriental Phidias.”
“Proceed,” Wu Ling begged.
“Well, the point of the story is this. Generations ago there was a great rising amongst the people, an invasion from the north, and robbers seem to have overrun the whole place. They sacked even the temples, and the priests—those who had warning of their coming—stripped their robes and their temples of all the precious stones which they possessed, and hid them.”
“Hid them,” Wu Ling repeated. “Ah!”
“Some of this story, you have, of course, heard,” the young man went on, “because your trade brings you, I suppose, within a hundred miles of Nilkaya. The temples were rich in jewels—the emperors of China had sent them gifts for centuries—and the legend is that all the most valuable were concealed within these two Images—the Body and the Soul.”
“That,” Wu Ling commented, “is a strange story.”
“As I told you,” the young man continued, “I heard it from one who lived in Pekin and I believe that it is the truth. For centuries the priests have possessed a manuscript which has been handed down from one High Priest to the other, and this manuscript tells how these Images have been fashioned, so that there is within them a hollow place. There are directions for finding it, and for opening the Images, and they say that without these directions no man in the world could guess how to do it. I have spoken with one who has visited the temple, and who was not quite so much pressed for time as I was, who has seen these Images only a few feet away, and who insists upon it that there is not a sign of any possible aperture or any break in the wood.”
“A simple thing,” Wu Ling suggested blandly, “would be to break with choppers.”