"Yes, I looked through them this afternoon," he acknowledged.
"There's a little one at the bottom, looks as though it had been shoved in at the last moment. I don't know whether you noticed it. It announced the mysterious disappearance of a young man of the same name as your own—an art teacher from London, I think he was. I wondered whether it might have been any relation?"
"I read the message," Philip admitted. "It certainly looks as though it might have referred to my cousin."
Mr. Raymond Greene became almost impressive in his interested earnestness.
"Talk about coincidences!" he continued. "Do you remember last night talking about subjects for cinema plays? I told you of a little incident I happened to have noticed on the way from London to Liverpool, about the two men somewhere in Derbyshire whom I had seen approaching a tunnel over a canal—they neither of them came out, you know, all the time that the train was standing there."
Philip helped himself a little absently to whisky and soda from the bottle in front of him.
"I remember your professional interest in the situation," he confessed.
"I felt at the time," Mr. Raymond Greene went on eagerly, "that there was something queer about the affair. Listen! I have been putting two and two together, and it seems to me that one of those men might very well have been this missing Mr. Romilly."
Philip shook his head pensively.
"I don't think so," he ventured.