The two men parted, and curiously enough Dominey was conscious that with those few awkward words of farewell some part of the incipient antagonism between them had been buried. Left to himself, he wandered for some moments up and down the great, dimly lit hall. A strange restlessness seemed to have fastened itself upon him. He stood for a time by the dying fire, watching the grey ashes, stirred uneasily by the wind which howled down the chimney. Then he strolled to a different part of the hall, and one by one he turned on, by means of the electric switches, the newly installed lights which hung above the sombre oil pictures upon the wall. He looked into the faces of some of these dead Domineys, trying to recall what he had heard of their history, and dwelling longest upon a gallant of the Stuart epoch, whose misdeeds had supplied material for every intimate chronicler of those days. When at last the sight of a sleepy manservant hovering in the background forced his steps upstairs, he still lingered for a few moments in the corridor and turned the handle of his bedroom door with almost reluctant fingers. His heart gave a great jump as he realised that there was some one there. He stood for a moment upon the threshold, then laughed shortly to himself at his foolish imagining. It was his servant who was patiently awaiting his arrival.
“You can go to bed, Dickens,” he directed. “I shall not want you again to-night. We shoot in the morning.”
The man silently took his leave, and Dominey commenced his preparations for bed. He was in no humour for sleep, however, and, still attired in his shirt and trousers, he wrapped a dressing-gown around him, drew a reading lamp to his side, and threw himself into an easy-chair, a book in his hand. It was some time before he realised that the volume was upside down, and even when he had righted it, the words he saw had no meaning for him. All the time a queer procession of women's faces was passing before his eyes—Caroline, with her half-flirtatious, wholly sentimental bon camaraderie; Stephanie, with her voluptuous figure and passion-lit eyes; and then, blotting the others utterly out of his thoughts and memory, Rosamund, with all the sweetness of life shining out of her eager face. He saw her as she had come to him last, with that little unspoken cry upon her tremulous lips, and the haunting appeal in her soft eyes. All other memories faded away. They were as though they had never been. Those dreary years of exile in Africa, the day by day tension of his precarious life, were absolutely forgotten. His heart was calling all the time for an unknown boon. He felt himself immeshed in a world of cobwebs, of weakness more potent than all his boasted strength. Then he suddenly felt that the madness which he had begun to fear had really come. It was the thing for which he longed yet dreaded most—the faint click, the soft withdrawal of the panel, actually pushed back by a pair of white hands. Rosamund herself was there. Her eyes shone at him, mystically, wonderfully. Her lips were parted in a delightful smile, a smile in which there was a spice of girlish mischief. She turned for a moment to close the panel. Then she came towards him with her finger upraised.
“I cannot sleep,” she said softly. “Do you mind my coming for a few minutes?”
“Of course not,” he answered. “Come and sit down.”
She curled up in his easy-chair.
“Just for a moment,” she murmured contentedly. “Give me your hands, dear. But how cold! You must come nearer to the fire yourself.”
He sat on the arm of her chair, and she stroked his head with her hands.
“You were not afraid, then?” she asked, “when you saw me come through the panel?”
“I should never be afraid of any harm that you might bring me, dear,” he assured her.