"What luck!" Isobel exclaimed, delighted. "Arnold, how glorious! Here is my purse. Will you pay for me, please?"
So we went in just as the curtain rose upon the first act of Rostand's great play. The house was packed with an immense audience. One box alone, the stage box on the left, was empty. I leaned over to Isobel, and would have told her the story which all the world knew.
"You see that box?" I whispered. "Wherever he plays it is always empty."
"I know," she answered. "His wife used to sit there—always in the same place; and after her death, whatever theatre he played at, he always insisted upon having it kept empty. They say that on great nights, when the people go almost wild with enthusiasm, he looks into the shadows there almost as though he really saw her still sitting in her old place. It is a beautiful story."
"Done for effect!" Arthur muttered, and was promptly snubbed, as he deserved. They were friends again immediately afterwards, however, and I saw him attempt to hold her hand for a moment. Decidedly it was time that we carried out our new resolution.
I think that from the moment I took my seat I was conscious in some mysterious way of the coming of great things. There was a thrill of excitement in the air, a sort of stifled electricity which one realizes often amongst a highly cultured audience awaiting the production of a great work. But apart from this sensation of which I was fully conscious, I felt a curious sense of nervousness stealing in upon me for which I could in no way account. I knew what it meant only when, amidst a storm of cheers, Feurgéres entered. Then indeed I knew.
I kept silent, for which I was thankful, but the programme in my hand was crumpled into a little ball, and the figures upon the stage moved as though in a mist before my eyes. Isobel noticed nothing, for her whole breathless attention was riveted upon the play. I came to myself with the rich sweet voice of the man, so tender, so infinitely pathetic, ringing with a curious familiarity in my ears. From that moment I followed the movement of the play.
The curtain went down upon the first act amidst a silence so intense that it seemed as though people might be listening still for the echoes of that sad, sweet voice which had been playing so effectively upon their heartstrings. Then came the storm of applause, which lasted for several minutes. I turned towards Isobel. She was sitting very still, and she did not join in the enthusiasm which seemed to find its way straight from the hearts of the men and women who sat about us. But her eyes were wet with tears, her lips a little parted. She gazed at the man whom incessant calls had brought at last a little wearily before the curtain, as one might look at a god. And their eyes met. He did not start or betray himself in any way—perhaps his training befriended him there, but as he left the stage he staggered, and I saw his hand go to clutch the curtain for support. I knew then that, before the night was over, Isobel's history would no longer be a secret to us.
She turned to me with a little smile of apology. There was a new look in her face too. She spoke gravely.
"Was I very stupid? I am sorry, but I could not help it. I have never seen anything like this before. It is wonderful!"