I held the note out so that the two others could read it. Then I thrust it into my pocket.

"Mademoiselle sang charmingly to-night," Monsieur Huber declared, rolling his eyes.

"I didn't see you amongst the audience, Monsieur Huber," she replied demurely.

"When you sing I am never far away, Mademoiselle," was the impressive response. "I was standing at the back of the Baroness Spens' box."

Rose glanced upwards at the box which he indicated. A large woman was seated there, dressed in an elaborate evening gown, with jewels sparkling from her bosom and hair. She was dark, with a strong masculine face, a woman who had once, beyond a doubt, been handsome, but whose countenance was now almost forbidding. I recognised her as one of the regular patrons of the café.

"The Baroness," Monsieur Huber continued, "is one of my best clients. She is very good to all my artistes. Sometimes she has them at her home. She pays, too—pays very well. But excuse me—she calls."

The Baroness, with a short, rather thick-set Belgian girl, and a fat, elderly man, who had almost fallen on to the stage applauding the little French soubrette, occupied the stage box, which was on a level with the promenade. Monsieur Huber hurried over towards it, exchanged a few words with his patroness and returned to us.

"The Baroness desires that you three will visit her box and take a glass of wine," he announced, with the air of one conveying a royal command. "François, a bottle of 34 to the stage box at once."

Apart from our desire to oblige little Mr. Huber, who was really a most good-natured person, our recently received mandate left us no alternative but to comply. We were ushered, therefore, into the box, where the Baroness received us, rather to my surprise, with the air of a woman of breeding, the girl without any special enthusiasm, and the old man, whose eyes were glued upon the soubrette, with indifference. We were offered chairs and suffered the martyrdom of sweet champagne. The Baroness said polite things about our performance, enquired about our impressions of Brussels, and spoke calmly of her residence in the city during the period of German occupation. Her conversation was easy enough, and gracious, yet I could not get it out of my head that her interest in us did not arise solely from the fact of our being professional entertainers.

"You find it pays," she asked, a little abruptly, "while living in Brussels is so dear, to perform at this café for Monsieur Huber's salary?"