"Pasquale, you're mad! the devil's in you!" the audience-Capuzzi cried, very loudly. The audience called him to order. Pasquarello waxed still louder in Capuzzi's praise, and came, at length, on the subject of the arias which he (Capuzzi) had composed, with which he (Pasquarello) was in hopes of charming the world. Capuzzi on the stage patted Pasquarello on the shoulder, and said he could confide to a faithful servant like him, that the truth was that he really knew nothing whatever about music, and that the aria he had been mentioning, like all the arias he had ever written, was cribbed from Frescobaldi's canzone, and Carissimi's motets.
"You lie, you scoundrel, in your throat!" screamed the Capuzzi below, rising from his seat. "Silence!--sit down!" cried the audience; the women who were sitting near him dragged him down into his place.
The stage-Capuzzi went on to say it was time, now, to come to matters of more importance. He wanted to give a large dinner the next day, and Pasquarello must set to work briskly to get together all the requirements. He drew out of his pocket a list of the most expensive and recherché dishes, and read it aloud; as each dish was mentioned, Pasquarello had to say how much it would cost, and the money was handed to him on the spot.
"Pasquale!--idiotic fool!--madman!--spendthrift!--prodigal!" cried the Capuzzi below, in crescendo, after the mention of the several dishes, and grew more and more angry the higher the total bill for this most unheard-of of all dinners became.
When at length the list was gone through, Pasquarello asked Signor Pasquale's reason for giving so grand a dinner; and Capuzzi (on the stage) replied: "To-morrow will be the happiest day of all my life. Let me tell you, my good Pasquarello, that to-morrow I celebrate the wedding-day, rich in blessings, of my dear niece Marianna. I am giving her hand to that fine young fellow, the greatest of all painters, Scacciati."
Scarce had the Capuzzi on the stage uttered those words, than he of the audience, quite beside himself, and incapable of further self-control, sprang up, with all the fury of a demon in his face of fire, clenched both his fists at his counterfeit, and screamed out at him, in a yelling voice: "That you shall not!--that you shall never! you infernal scoundrel of a Pasquale! Will you defraud yourself of your own Marianna, you dog? Are you going to throw her at that diabolical rascal's head? The sweet Marianna--your life, your hope, your all-in-all? Ah, beware! Have a care, deluded blockhead! These fists shall beat you black and blue, and give you something else to think about than dinners and marriages."
But the Capuzzi on the stage clenched his fists too, and cried out in a similar fury, with the same yelling voice: "May all the devils enter your body! you cursed, senseless Pasquale! Abominable skinflint!--old amorous goose!--motley fool, with the cap and bells over your ears! Have a care of yourself, or I will blow the breath of life out of you! that the mean actions you want to father upon the shoulders of the good, honourable, upright Pasquale may be put an end to at last."
To an accompaniment of the most furious curses and maledictions of the Capuzzi beneath, he on the stage proceeded to narrate one scurrilous story of him after another, finishing off by crying out: "Try if you dare, Pasquale--amorous old ape!--to interfere with the happiness of those two young people, destined for each other by heaven."
As he spoke, there appeared at the back of the stage Antonio Scacciati and Marianna, with their arms about each other. Shaky as the old gentleman was on his legs, fury gave him strength and agility. At a bound he was on to the stage, where he drew his sword, and ran at Antonio. But he felt himself seized from behind; an officer of the Papal Guard was holding him, and said, in a serious tone: "Consider a little, Signor Pasquale Capuzzi; you are on Nicolo Musso's stage. Without being aware of it, you have been playing a most entertaining part this evening. You will not find Antonio or Marianna here." The two performers whom Capuzzi had taken to be them had come closer, with the rest of the actors, and he did not know their faces at all. The sword fell from his trembling hand; he drew a deep breath, like one waking from a fearful dream, clasped his forehead, forced his eyes wide open. The dreadful sense of what had really happened flashed upon him, and he cried: "Marianna!" in a terrible voice, till the walls re-echoed.
But his calling could no longer reach her ears; for Antonio had carefully watched for the moment when Capuzzi, oblivious of everything, even himself, was contending with his counterfeit on the stage, had then cautiously made his way to Marianna, and taken her through the audience to a side door, where the Vetturino was waiting with the carriage; and away they were driven towards Florence as fast as they could go.