The Serapion Brethren, Vol. II

by E. T. A. Hoffmann

"My daughter, Albertine," the Commissionsrath said to Edmund, who was gazing motionless at the lady, almost forgetting that it was incumbent on him to bow to her. He recognised, at the first glance, in Albertine, the beautiful creature whom he had come across at the last exhibition as she was admiring one of his own pictures. She was describing and pointing out the meaning of this fanciful picture to an old lady and two girls who were with her; explaining the peculiarities of the drawing and the grouping; applauding the painter, and saying that he was quite a young artist, though so full of promise, and that she wished she knew him. Edmund was standing close behind her, drinking in the praise which flowed from her beautiful lips. His heart was so full that he could not bring himself to go forward and say he was the painter. And at this juncture Albertine happened to drop one of her gloves, which she had taken off. Edmund stooped to pick it up, and as Albertine did the same thing at the same instant, their heads banged together with such a crash that it rang through the place.

"Oh, good gracious!" Albertine cried, holding her hands to her head.

Edmund started back in consternation and alarm. At his first step he stamped on the old lady's pug, which yelled aloud; at his second he trampled the gouty toe of a professor, who gave a tremendous shout, and devoted poor Edmund to all the infernal deities. Then the people came hurrying from the neighbouring rooms, and all the lorgnettes were fixed upon Edmund, who made the best of his way out of the place, amid the whimperings of the dog, the curses of the professor, the objurgations of the old lady, and the tittering and laughter of the girls. He made, we say, his escape in those circumstances, blushing over and over with shame and discomfiture, in complete despair, whilst a number of young ladies got out their essence-bottles and rubbed Albertine's forehead, on which a great lump was rapidly rising.

Even then, in the crisis of this ridiculous occurrence, Edmund had fallen deeply in love, though he was scarcely aware of it himself. And it was only a painful sense of his own stupidity that prevented him from going to search for her all over the town. He could not think of her otherwise than with a great red lump on her forehead, and the bitterest reproach, the most distinct expression of anger, in her face and in her whole being.

There was not the faintest trace of this, however, about her as he saw her now. She blushed indeed over and over again when she saw him, and seemed unable to control herself. But when her father asked him his name, &c., she said with a delightful smile, and in gentle accents, "that she must be much mistaken if he were not Mr. Lehsen, the celebrated painter, whose works she so immensely admired."

Those words, we need not say, ran through Edmund's nerves like an electric shock. In his emotion he was about to burst into flowers of rhetoric, but the Commissionsrath would not let him get to that, clasping him to his breast with fervour, and saying, "My dear sir, what about the cigar you promised me?" And whilst he was lighting said cigar at the ashes of the former one, he said, "So you are a painter? and a great one, from what my daughter Albertine tells me--and she knows what she is talking about in such matters, I can assure you. I'm very glad you are. I love pictures, and, as my daughter Albertine says, 'Art' altogether, most tremendously. I simply dote upon it. And I know something about it, too. I'm a first-rate judge of a picture. My daughter Albertine and I know what we're about there. We've got eyes in our heads. Tell me, my dear painter, tell me without hesitation, wasn't it you who painted those pictures which I stop and look at every day as I pass them, because I cannot help standing to admire the colouring of them? Oh, it is beautiful!"

Edmund did not quite understand how the Commissionsrath managed to see any pictures of his daily in passing them, seeing that he had never painted any signboards, that he could remember. But after a good deal of questioning, it turned out that Melchior Bosswinkel meant certain lacquered tea-trays, stove-shades, and things of that sort, which he saw and much admired in a shop-window as he went to business of a morning, after two or three sardines and a glass of Dantziger at the Sala Tarone. These productions constituted his highest ideal of the pictorial art. This disgusted the painter not a little; and he cursed, internally, Bosswinkel and his wretched chatter, which was preventing him from making any approach to the young lady. At last there came up an acquaintance, who engaged him in conversation, and Edmund took advantage of this to go and sit down beside Albertine, who seemed to be very much pleased at his doing so.

Every one who knows Miss Albertine Bosswinkel is aware that, as has been said, she is the very personification of youth, beauty, and delightsomeness; that, like all other Berlin young ladies, she dresses in the best possible taste in the latest fashions, sings in Zelter's choir, has lessons on the piano from Herr Lauska, dances most beautifully, sent a tulip charmingly embroidered and surrounded by violets to the last exhibition, and though by nature of a bright, lively temperament, is quite capable of displaying the proper amount of sentimentality required at tea-parties, at all events. Also, that she copies poetical extracts and sentences which have pleased her in the writings of Goethe, Jean Paul, and other talented men and women, in the loveliest little tiny handwriting into a nice little book with a gilt morocco cover.

Of course it was natural that, sitting beside the young painter, whose heart was beaming with the bliss of a timid affection, she should be several degrees more sentimental than was usual on the tea and reading-aloud occasions; and she lisped in the prettiest manner about such subjects as poetic feeling, depth of idea, childlike simplicity, and so forth.

The evening breeze had begun to sigh, breathing perfume from the flowers and wafting their scents on its wings; and two nightingales were singing a lovely duetto in among the thick darkling leafage, in the tenderest accents of love-complaining.