Edmund has been in Rome now more than a year, and people do say that his correspondence with Albertine languishes, and that the letters are becoming rarer and colder. Who knows whether or not anything will ever come, ultimately, of the engagement between those two people? Certainly Albertine won't be long "in the market" in any case; she is so pretty, and so well off. Just at present, there is young Mr. Gloria (just going to be called to the bar), a very nice young gentleman indeed, with a slim and tightly-girded waist, a couple of waistcoats on at once, and a cravat tied in the English style; and he danced all last season with Albertine, and is to be seen now going continually with her to the Thiergarten, whilst the Commissionsrath trots very complacently after them, looking like a satisfied father. Moreover, Mr. Gloria has passed his second examination at the Supreme Court with flying colours.
"So perhaps he and Albertine may make a match of it, should he get a fairly good appointment. There's no telling. Let us see what happens."
"You have certainly written a wonderfully crack-brained thing in that," Ottmar said, when Lothair had finished. "This 'Tale containing improbable incidents,' as you have called it, appears to me to be a kind of mosaic, composed of all kinds of stones put together at random, which dazzles and confuses one's eyes so that they can't take firm hold of any definite figure."
"As far as I am concerned," Theodore said, "I must confess that I think a great deal of it is exceedingly delightful, and that it might very likely have been a very superior production, if Lothair hadn't, most imprudently, gone and read Hafftitz. The consequence of this was that those two practitioners of the black art, the Goldsmith and the Jew-coiner, had to be brought into the story somehow, willy-nilly; and thus those two unfortunate revenants make their appearance as heterogeneous elements, working, with their sorceries, in an unnaturally constrained manner among the incidents of the tale. It is well your story hasn't been printed, or you would have been hauled over the coals by the critics."
"Wouldn't it do to light up the pages of a Berlin Almanack?" the Author asked, with one of his ironical smiles. "Of course I should still more localize the localities, and add a few names of celebrities, and so gain a little applause from the literary-aesthetic, if from nobody else.[2]
[Footnote 2: "This speech of Lothair's shows what the Author had in his mind at the time. The tale did appear in the Berlin Almanack of 1820, with additional localities, and names of celebrities in the Art-World, but the publishers told him he ought to try to keep within the bounds of 'probability,' in future."--(Note of Editor of Collected Works.)]
"However, all the same, my dear friends, did you not laugh heartily enough at times, as I was reading it? and ought that not to deprive your criticism of some of its severity? If you, Ottmar, say my tale is a mosaic, you might admit that it has something of a Kaleidoscope character, in spite of its crackiness, and that its matters, though most adventitiously shaken together, do ultimately form more or less interesting combinations. At all events, you surely admit that there are one or two good characters in my story, and at the head of them, the love-stricken Baron Benjie, that worthy scion of the Jew-coiner race of Lippolts; however, we've had far too much of my piece of patchwork, which was only intended to amuse you for a moment as a bizarre jest. What I would have you notice is that I have been faithful to my principle of welding on the Legendary to the every-day life of the present day."
"And," said Theodore, "I am a great adherent of that principle. It used to be supposed to be necessary to localize everything of the legendary kind in the remote East, taking Scheherezade as the model in so doing; and, as soon as we touched upon the manners, the customs, the ways of life of the East, we got into a world which was apparently hovering, adrift, all in a sort of unreality, anchorless, before our eyes, on the point of floating away and disappearing. This is why those tales so often strike coldly on us, and have no power to kindle the inner spirit--the fancy. What I think, and mean, is, that the foot of the heavenly ladder, which we have got to mount in order to reach the higher regions, has to be fixed firmly in every-day life, so that everybody may be able to climb up it along with us. When people then find that they have got climbed up higher and higher into a marvellous, magical world, they will feel that that realm, too, belongs to their ordinary, every-day life, and is, merely, the wonderful and most glorious part thereof. For them it is the beautiful flower-garden beyond the city-wall into which they can go, and in which they can wander and enjoy themselves, if they have but made up their minds to quit the gloomy walls of the city, for a time."
"Don't forget, though, Theodore, my friend," said Ottmar, "that there are quantities of people who won't go up the ladder at all, because it isn't 'proper' or 'becoming.' And many turn giddy by the time they get to the third rung of it. Many never see the ladder at all, though it is facing them in the broad, daily path of their lives, and they pass by it every day. As regards the tales of the 'Thousand and One Nights,' it is remarkable enough that most of those who have tried to imitate them have overlooked that which is just what gives them life and reality--exactly what Lothair's principle is. All the cobblers, tailors, dervishes, merchants, and so forth, who appear as the characters in those tales, are people who are to be met with every day in the streets. And--inasmuch as life is independent of times and manners, but is always the same affair--in its essential conditions (and always must be so), it follows that we feel that all those folks--upon whom, in the middle of their everyday lives, such extraordinary and magical adventures came, and such spells wound themselves--are really the sort of people who are actually walking about amongst us. Such is the marvellous, mighty power of description, characterization, and representation in that immortal book."
As the evening was fast growing colder, it was thought advisable--on account of Theodore's having but half recovered from his late illness--that the friends should go to the great summer-house, and indulge in a cup of refreshing tea, in place of anything more exciting.