1885
TROW'S
PRINTING AND BOOKBINDING COMPANY,
NEW YORK.
CONTENTS OF VOLUME II.
| [THE DOGE AND DOGESS] |
| [MASTER MARTIN THE COOPER] |
| [MADEMOISELLE DE SCUDÉRI] |
| [GAMBLER'S LUCK] |
| [MASTER JOHANNES WACHT] |
| [BIOGRAPHICAL NOTES] |
[THE DOGE AND DOGESS][1]
This was the title that distinguished in the art-catalogue of the works exhibited by the Berlin Academy of Arts in September, 1816, a picture which came from the brush of the skilful clever Associate of the Academy, C. Kolbe.[2] There was such a peculiar charm in the piece that it attracted all observers. A Doge, richly and magnificently dressed, and a Dogess at his side, as richly adorned with jewellery, are stepping out on to a balustered balcony; he is an old man, with a grey beard and rusty red face, his features indicating a peculiar blending of expressions, now revealing strength, now weakness, again pride and arrogance, and again pure good-nature; she is a young woman, with a far-away look of yearning sadness and dreamy aspiration not only in her eyes but also in her general bearing. Behind them is an elderly lady and a man holding an open sun-shade. At one end of the balcony is a young man blowing a conch-shaped horn, whilst in front of it a richly decorated gondola, bearing the Venetian flag and having two gondoliers, is rocking on the sea. In the background stretches the sea itself studded with hundreds and hundreds of sails, whilst the towers and palaces of magnificent Venice are seen rising out of its waves. To the left is Saint Mark's, to the right, more in the front, San Giorgio Maggiore. The following words were cut in the golden frame of the picture.
Ah! senza amare,
Andare sul mare
Col sposo del mare,