The Green Bough

by E. Temple Thurston

"Well, if that's not enough for you," continued Jane, "if it is not enough to allude to what I saw with my own eyes, or to tell you there are servant girls who could behave better than that, then I'll talk of what, thank God, I didn't see and I'll tell you it's worse than shame what you have done and not even the excuse of being betrayed by love that you have to offer for it. I'll say it, Mary, and I don't care now because you've asked for it. You must be a bad woman in your heart, there must be something vile about you that makes you not fit to touch us or be in the same house with us. You've asked for that and you've got it. You've wanted every word there is to say. I should have left that unspoken if you hadn't asked for it. But that's what I feel. If you were a woman off the streets in London and sitting there at our table, I couldn't feel more sick or ashamed at the sight of you."

"Jane!" cried Hannah. "Oh, don't say anything so horrible or terrible as that!"

"What's terrible about it? What's horrible about it?" asked Mary. "It isn't true. Jane knows it isn't true. When a woman's fighting for the conventions Jane's fighting for, she doesn't use the truth--she's incapable of using it."

"What is the truth then?" exclaimed Jane. "If you've satisfied yourself you know, if you've invented anything truer than what I've said to make an excuse for yourself, let's hear what it is."

"Yes, you shall hear it," said Mary, and a deep breath she drew to steady the torrent of words that was surging in her mind. "First of all it's not true that I didn't love. I did. She's perverted the truth there. I did love. I'm not going to tear my heart open and show you how much. I don't love any longer. That's what Jane has made use of--the best she could. But what I feel now has nothing to do with it. What I feel now is the result of circumstances it won't help any way to explain. What happened that makes the vileness she talks about, happened when I was in love, as deeply in love as any woman can be, and as I never expect to be again. But it's not because of love that I'm going to defend myself. It's not because of love that I show this arrogance, as you call it. That's not the truth I've found or invented for myself. Love's only half the truth when you come to value and add up the things that count in a woman's life. Of all the married people we know, how many women who have found completion and justification for their existence really love their husbands? Love! Oh, I don't know! Love's an ecstasy that gives you a divine impetus towards the great purposes of life. I don't want to talk as though I'd been reading things out of a book. That almost sounds like it. But you can't imagine I haven't been thinking. These two months, these last six months, ever since something that happened last Christmas time, I have. And thinking's like reading, I suppose. It's reading your own thoughts."

A smile of security twitched at Jane's lips.

"Well, is this the wonderful truth?" she asked. "Are we to sit and listen to you, the youngest of us, telling us that love's an ecstasy? Because if you're going to give us a lecture about love, perhaps you'd like a glass of water beside you."

"No, that's not the wonderful truth," she replied quietly. She felt Jane could not sting her to anger and somehow she smiled. "The truth is this, which they up there had never learnt and no one seems to know. Life's not for wasting, but what have been our lives here, we four girls--girls! Women now! What has it been? Waste--waste--nothing but waste. Why has Hannah's hair gone gray? Why are you, Jane, bitter and sour and dry in your heart? Why's Fanny drawn and tired and thin and spare? Why do I look older than I am? Because we're waste--because Life's discarded us and thrown us on one side, because for a long time now there's been nothing in the world for us to do but sit in this room with those portraits looking down on our heads and just wait till we filter out like streams that have no flood of purpose to carry them to the sea. Our lives have only been a ditch, for water to stagnate in. We find nothing. We can't even find ourselves. Fanny there, grows thinner every year. And who's to blame for it?"

Her eyes shot up to the portraits on the wall and half furtively all their eyes followed hers.

"They're to blame, but not first of all they aren't. What makes it possible that Jane can speak as she does, talking about what has happened to me as the vilest of all vile things? Men have made it possible, because men have needed children for one reason and one reason only. Possession, inheritance and all the traditions of family and estate. These are the things men have wanted children for and so they made the social laws to meet their needs. But there are more things in the world to inherit than a pile of bricks and a handful of acres. Do you think I want my child to have no more inheritance than that? I tell you almost I'm glad he has no father! I'm glad he won't possess. There are things more wonderful than bricks and acres that are going to be his if I have the power to show them to him. There are things in the world more wonderful than those which you can just call your own. And it's those laws of possession and inheritance we have to thank for the idleness our lives have been set in. Jane thinks herself a true woman just because she's clung to modesty and chastity and a fierce reserve, but those things are of true value only when they're needed, and what man has needed them of us? Who cares at all whether we've been chaste and pure? None but ourselves! And what's made us care but these false values that make Jane's shame of me?"