It was a favourable evening on which we slid away from Mr. Measure's hotel. I had my mind on a particular meadow in Sussex, just north of the Downs, skirted by a lane. This meadow is surrounded by a high, untrimmed hedge with oaks at intervals, and there is a tinkling stream close by. A few cottages here and there in the neighbourhood complete the nightingales' requirements, for they are fond of human sounds. In this meadow, which has never disappointed me yet—at any rate in late April and all May—nightingales have the enchanting habit of singing in threes, one against the other at the points of the triangle.
Knowing by bitter experience how useless it is to squander minute directions on such insensitive, non-receptive, unobservant, and unremembering creatures as chauffeurs, I sat on the box; not sorry either, for it was warm, and talking in a car is fatiguing.
We left London by way of Battersea Bridge and kept on the Brighton road as far as Hand Cross—over Walton Heath and down Reigate Hill and through Crawley. At Hand Cross we branched to the right, leaving Cuckfield on our left, and came through Bolney to Albourne and due south as far as Muddles Wood cross-roads. At intervals I had fancied I heard the magic notes and had slackened the car—you know how easy it is to imagine this sound—but always it was a false alarm, or the song had been only of momentary duration.
At Muddles Wood we turned to the right. The air was warm and there was no wind, only a sighing of the earth. The moon was now bright and the great bulk of the South Downs, sweetly undulating, rose against the quiet sky. We crept slowly along for a quarter of a mile and then dipped sharp to the left for fifty yards and stopped. This was the spot.
For a while there was not a sound, save now and then a rustle in the undergrowth, the whistle of a far-distant train, a car on the Henfield road, an owl's hoot, or a dog barking.
I had begun to be assured of the worst when there came a liquid note. Then silence again; and then suddenly a burst of song. It was very brief, and there was again a disconcerting silence; but then another singer replied, and gradually their songs grew more steady. They behaved like angels; they went through everything in the repertory, and although their voices were not in the perfection of mid-May, they were beautiful enough, and one of them repeated that plaintive single cry seventeen times.
Even the chauffeur was impressed. He had heard about nightingales all his life, but this was his first experience of them. Like a canary, wasn't it?
I did not intrude upon the sick man until the time came to go. He was in an ecstasy and I wished that Ben could see him. It would have been a triumph for "The Beck and Call."
"But I should call that song a happy one," he said. "Certainly not melancholy, except very rarely. Its charm is its volume and exultation, and the careless ease of it."
I agreed. "I am against Matthew Arnold here," I said. "To me the truest line about the bird in our poetry is in William Cory:—