God send thousands, one, two, and three,
Some by their heads, some by their tails,
God sends thousands, and never fails.
When the last net was overboard the master said, "Seas all!" and then lowered the foremast and laid to the wind. If he were to say, "Last net," he would expect never to see his nets again.
BRIGHTON'S FAIR DAUGHTERS
"There are more handsome women in Brighton than anywhere else in the world," wrote Richard Jefferies some twenty years ago. "They are so common that gradually the standard of taste in the mind rises, and good-looking women who would be admired in other places pass by without notice. Where all the flowers are roses you do not see a rose." (Shirley Brooks must have visited Brighton on a curiously bad day, for seeing no pretty face he wrote of it as "The City of the Plain.") Richard Jefferies, who lived for a while at Hove, blessed also the treelessness of Brighton. Therein he saw much of its healing virtue. "Let nothing," he wrote, "cloud the descent of those glorious beams of sunlight which fall at Brighton. Watch the pebbles on the beach; the foam runs up and wets them, almost before it can slip back, the sunshine has dried them again. So they are alternately wetted and dried. Bitter sea and glowing light, bright clear air, dry as dry—that describes the place. Spain is the country of sunlight, burning sunlight; Brighton is a Spanish town in England, a Seville."
THE PAVILION
The principal inland attraction of Brighton is still the Pavilion, which is indeed the town's symbol. On passing through its very numerous and fantastic rooms one is struck by their incredible smallness. Sidney Smith's jest (if it were his; I find Wilberforce, the Abolitionist, saying something similar) is still unimproved: "One would think that St. Paul's Cathedral had come to Brighton and pupped." Cobbett in his rough and homely way also said something to the point about the Prince's pleasure-house: "Take a square box, the sides of which are three feet and a half, and the height a foot and a half. Take a large Norfolk turnip, cut off the green of the leaves, leave the stalks nine inches long, tie these round with a string three inches from the top, and put the turnip on the middle of the top of the box. Then take four turnips of half the size, treat them in the same way, and put them on the corners of the box. Then take a considerable number of bulbs of the crown-imperial, the narcissus, the hyacinth, the tulip, the crocus, and others; let the leaves of each have sprouted to about an inch, more or less according to the size of the bulb; put all these, pretty promiscuously, but pretty thickly, on the top of the box. Then stand off and look at your architecture."
To its ordinary museum in the town Brighton has added the collection of stuffed birds made by the late Mr. E. T. Booth, which he housed in a long gallery in the road that leads to the Dyke. Mr. Booth, when he shot a bird in its native haunts, carried away some of its surroundings in order that the taxidermist might reproduce as far as possible its natural environment. Hence every case has a value that is missing when one sees merely the isolated stuffed bird. In one instance realism has dictated the addition of a clutch of pipit's eggs found on the Bass Rock, in a nest invisible to the spectator. The collection in the Natural History Museum at South Kensington is of course more considerable, and finer, but some of Mr. Booth's cases are certainly superior, and his collection has the special interest of having been made by one man.
CRITICISM BY JUG