"It's only breakdown," said the Clockwork man, sadly. "With us laughing or crying are symptoms of breakdown. When we laugh or cry that means that we have to go and get oiled or adjusted. Something has got out of gear. Because in our life there's no necessity for these things."
His voice trailed away and ended in a soft, tinkling sound, like sheep bells heard in the distance. During the long pause that followed Arthur had time to recall that sense of pity for this grotesque being which had accompanied his first impression of him; but now his feeling swelled into an infinite compassion, and with it there came to him a fierce questioning fever.
"But must you always be like this?" he began, with a suppressed crying note in his voice. "Is there no hope for you?"
"None," said the Clockwork man, and the word was boomed out on a hollow, brassy note. "We are made, you see. For us creation is finished. We can only improve ourselves very slowly, but we shall never quite escape the body of this death. We've only ourselves to blame. The makers gave us our chance. They are beings of infinite patience and forbearance. But they saw that we were determined to go on as we were, and so they devised this means of giving us our wish. You see, Life was a Vale of Tears, and men grew tired of the long journey. The makers said that if we persevered we should come to the end and know joys earth has not seen. But we could not wait, and we lost faith. It seemed to us that if we could do away with death and disease, with change and decay, then all our troubles would be over. So they did that for us, and we've stopped the same as we were, except that time and space no longer hinder us."
He broke off and struggled with some queer kind of mechanical emotion. "And now they play games with us. They wind us up and make us do all sorts of things, just for fun. They try all sorts of experiments with us, and we can't help ourselves because we're in their power; and if they like they can stop the clock, and then we aren't anything at all."
"But that's not very kind of them," suggested Arthur.
"Oh, they don't hurt us. We don't feel any pain or annoyance, only a dim sort of revolt, and even that can be adjusted. You see, the makers can ring the changes endlessly with us, and there isn't any kind of being, from a great philosopher to a character out of a book, that we can't be turned into by twisting a hand. It's all very wonderful, you know."
He lifted his arms up and dropped them again sharply.