A Bride from the Bush

by E. W. Hornung

Miss Travers sang a little song that Gladys had never heard before, accompanying herself from memory. She sang very sweetly, very simply—in a word, uncommonly well. The voice, to begin with, was an exceptionally sound soprano, but the secret and charm of it all was, of course, in the way she used her voice. Gladys had asked for a song to escape from a chat, but she had forgotten her motive in asking—she had forgotten that she had asked for it—she had forgotten much that it had seemed impossible to forget, even thus, for one moment—before the song was half finished. Very possibly, with Gladys, who knew nothing of music, this was an appeal to the senses only; but it gave her some peaceful, painless moments when such were rare; and it left her, with everything coming back to her, it is true, but with a grateful heart. So grateful, indeed, was Gladys that she forgot to express her thanks until Miss Travers smilingly asked her how she liked that song; and then, instead of answering, she went over to where Lady Bligh was sitting, bent down, and asked a question, which was answered in a whisper.

Then Gladys came back to the piano. ‘Yes, I do like that song, very, very much; and I beg your pardon for not answering you, Miss Travers, but I was thinking of something else; and I want you, please, to sing Mendelssohn’s “Hear my Prayer!”’ These words came quickly—they were newly learnt from Lady Bligh.

Miss Travers could not repress a smile. ‘Do you know what you are asking me for?’

‘Yes; for what we heard in church last Sunday evening. That’s the name, because I’ve just asked Lady Bligh. I would rather you sang that than anything else in the world!’

‘But——’ Miss Travers was puzzled by the Bride’s expression; she would have given anything not to refuse, yet what could she do? ‘But—it isn’t the sort of thing one can sit down and sing—really it isn’t. It wants a chorus, and it is very long and elaborate.’

‘Yes?’ Gladys seemed strangely disappointed. ‘But there was one part—the part I liked—where the chorus didn’t come in, I am sure. It was sung by a boy. You could do it so much better! It was about the wings of a dove, and the wilderness. You know, I come from the wilderness myself’—the Bride smiled faintly—‘and I thought I’d never heard anything half so lovely before; though of course I’ve heard very little.’

‘No matter how little you have heard, you will never hear anything much more beautiful than that,’ said Miss Travers, with sympathetic enthusiasm.

‘Since I cannot hear it now, however, there is an end of it.’

Gladys sighed, but her eyes pleaded still; it was impossible to look in them long and still resist. Miss Travers looked but for a moment, then, turning round to the keys, she softly touched a chord. ‘I will try the little bit you liked,’ she whispered, kindly, ‘whatever I make of it!’

What she did make of it is unimportant, except in its effect upon Gladys. This effect was very different from that produced a few minutes before by the song; this, at least, was no mere titillation of the senses by agreeable sounds. And it differed quite as much from the effect produced by the same thing in church on Sunday, when Gladys, after being surprised into listening, had listened only to the words. Then, indeed, the music had seemed sweet and sad, but to-night each note palpitated with a shivering, tremulous yearning, dropping into her soul a relief as deep as that of sorrow unbosomed, a comfort as soothing as the comfort of tears. And there was now an added infinity of meaning in the words; though it was the words that had thrilled her then—then, before she had brought all the present misery to pass.