"I will do my best," whispered Olivia, disengaging herself from his trembling arms. "I will try to be as brave as you. Oh, there is no one in the world like you! Yes, do let us talk about it afterwards; there is so much to say and to decide. But I give you fair warning: I shall never—never—never let you go. Darling, you will need me now! And I cannot give you up—much less after this. Shall I tell you why? You have gone the wrong way to work; you have made me love you more than ever—my hero—my darling—my all!"

She stood a moment at the open door, kissing her hand to him—a rosy flush upon her face—the great tears standing in her eyes. Then she was gone. He watched her down the length of the library; the stained windows dappled her, as she passed, with rubies and sapphires, huge and watery; at the farther door she turned, and kissed her hand again—and fled.


CHAPTER XXI

THE BAR SINISTER

It was a close night; the men were smoking their cigarettes on the terrace. Cripps was one of them; he was staying the night; he wished himself a hundred miles away. But Francis Freke took him in hand; they disappeared together, and a minute later the billiard-room windows burnt out of the night.

Mr. Sellwood was left a little in the cold. Claude and Jack were pacing the terrace with linked arms and lowered voices, and he wished to speak to Jack. Mr. Sellwood knew all. He was deeply sorry for Jack, for whom he had done his best at dinner by talking incessantly from grace to grace. The Home Secretary could be immensely entertaining when he chose. He had chosen to-night, as much for his daughter's sake as for Jack's. Olivia was his favourite child.

But then Dalrymple had not been there to heckle and insult his superior; he was gone nobody knew where. Not that he was gone for good, the luck stopped short of that. It appeared, however, that he had been excluded by a majority of two to one from the triangular council in the Poet's Corner. Since then he had not been seen; but his bag was still in his room, and it was only another of his liberties to absent himself from dinner without a word.

Olivia was playing the piano in the drawing-room. The windows were wide open, and Mr. Sellwood listened with his white head bent in sorrowful perplexity. The execution was faulty, as usual, because Olivia was an idle musician; but there was feeling in her fingers, she had a certain "touch," and her attempts were better to listen to than some performances. To-night they went to her father's heart. The imperfect music spoke to him with the eloquence of broken words. It told him of his child's necessity for action in the stress of her anguish. It told him also of her love; and here was this poor fellow so taken up with Claude that it was impossible to say to him what must be said as soon as possible.

Mr. Sellwood gave it up for the present, and went to look for his wife.