For it was Wolff Mason's habit to spend five minutes in the garden, every morning before breakfast, when it was fine; and when it was not, to walk round the breakfast table four-and-twenty times. That filled the five minutes which he always spent in the exclusive company of the characters of his current novel. He had been heard to say that he did his day's work in those five minutes; that at the office, where he worked at his novel all the morning, he had only to sit with his pen in his hand for three hours, and fifteen hundred words of fiction was the inevitable result. That part was purely mechanical, the novelist said. He had really written it in the five minutes before breakfast. It is not generally known, however, how curiously Wolff Mason delighted in humorous depreciation of his own work and methods. One would have liked his critics to hear him on the subject; they took his writings so very much more seriously than he did himself, that they little dreamt how highly their clever elaborate reviews entertained the philosophic object of their censure. It was an open secret that Wolff Mason professed a wholesome and unaffected disregard for posterity and the critics; but if the books that delighted two generations are forgotten by a third, their writer will certainly be remembered as the most charming talker, the kindest-hearted editor, and the most methodical man of letters of his day.

To method and to habit, indeed, the novelist had been a slave all his literary life. This he admitted quite freely. On the other hand, he argued that as his habits were all good ones in themselves (with the possible exception of that ounce of tobacco which he managed to consume daily), while his methods produced a not wholly unsuccessful result, the slavery suited him very well. Certainly it was good to be five minutes early for everything, and to start most things as the clocks were striking. The dining-room clock struck the half-hour after eight as Mr. Mason re-entered and shut the French window behind him. He had thought out the half-chapter for that day with even more than his customary minute prevision. This was all very good indeed. It was bad, however, that he should find himself now quite alone in the room, with the hot plates and the bacon growing cold, the kettle steaming furiously over the thin blue flame, and no Ida to make the tea.

Mr. Mason took up his position with an elbow on the mantel-piece and one foot to the fire, and stared solemnly at the clock. It was a worse case than yesterday. Two, three, four minutes passed. Then there was a rustle in the hall; light, quick footsteps ran across the room, and a nervous little hand was laid upon the novelist's shoulder. In another instant he was looking down into great dark eyes filled with the liveliest contrition, and making a mental note of the little black crescents underneath.

"Dear father, can you forgive me?"

"I'll try to, my dear, since you look so—penitent."

He had been about to say "pale." As he kissed the girl's cheek, its pallor was indeed conspicuous. As a rule she had the loveliest colour, which harmonised charmingly with the sweet clear brown of her eyes and hair. Ida Mason was in fact a very beautiful and graceful girl, but lately she had grown thin and quiet, and the salt was gone out of her in many subtle ways which did not escape the spectacles of that trained observer, her father. Mr. Mason glanced over the Times while his tea was being made, and knew all that was in it before his cup was poured out, the bacon on his plate, and the toast-rack set within easy reach of his hand.

"A singularly dull paper," said he, as he flung it aside and Ida sat down.

"Yes?"

"It is absolutely free from news. At this time of year there's more fun in the papers that lend themselves to egregious contributions from the public. I see, however, that Professor Palliser died last night——"

"How dreadful!"