"This chap can do the same when he comes to himself. Lies pretty still, doesn't he? In with him!"
The door clanged. The key was turned. Stingaree popped it into his pocket.
"The later they let him out the better. Here's the best mount you ever had. And my sweetheart's waiting for me in the stable!"
Outside, in front, before the barracks veranda, an inquisitive little group heard first the clang of the door within, and presently the clatter of hoofs coming round from the yard. Stingaree and Howie—a white flash and a bay streak—swept past them as they stood confounded. And the dwindling pair still bobbed in sight, under a full complement of stars, when a fresh outcry from the cell, and a mighty hammering against its locked door, broke the truth to one and all.
The Villain-Worshipper
There was no more fervent admirer of Stingaree and all bushrangers than George Oswald Abernethy Melvin. Despite this mellifluous nomenclature young Melvin helped his mother to sell dance-music, ballads, melodeons, and a very occasional pianoforte, in one of the several self-styled capitals of Riverina; and despite both facts the mother was a lady of most gentle blood. The son could either teach or tune the piano with a certain crude and idle skill. He endured a monopoly of what little business the locality provided in this line, and sat superior on the music-stool at all the dances. He had once sung tenor in Bishop Methuen's choir, but, offended by a word of wise and kindly advice, was seen no more in surplice or in church. It will be perceived that Oswald Melvin had all the aggressive independence of Young Australia without the virility which leavens the truer type.
Yet he was neither a base nor an unkind lad. His bane was a morbid temperament, which he could no more help than his sallow face and weedy person; even his vanity was directly traceable to the early influence of an eccentric and feckless father with experimental ideas on the upbringing of a child. It was a pity that brilliantly unsuccessful man had not lived to see the result of his sedulous empiricism. His wife was left to bear the brunt—a brave exile whose romantic history was never likely to escape her continent lips. None even knew whether she saw any or one of those aggravated faults of an only child which were so apparent to all her world.
And yet the worst of Oswald Melvin was known only to his own morbid and sensitive heart. An unimpressive presence in real life, on his mind's stage he was ever in the limelight with a good line on his lips. Not that he was invariably the hero of these pieces. He could see himself as large with the noose round his neck as in coronet or halo; and though this inward and spiritual temper may be far from rare, there had been no one to kick out of him its outward and visible expression. Oswald had never learned to gulp down the little lie which insures a flattering attention; his clever father had even encouraged it in him as the nucleus of imagination. Imagination he certainly had, but it fed on strong meat for an unhealthy mind; it fattened on the sordid history of the earlier bushrangers; its favorite fare was the character and exploits of Stingaree. The sallow and neurotic face would brighten with morbid enthusiasm at the bare mention of the desperado's name. The somewhat dull, dark eyes would lighten with borrowed fires: the young fool wore an eye-glass in one of them when he dared.
"Stingaree," he would say, "is the greatest man in all Australia." He had inherited from his father a delight in uttering startling opinions; but this one he held with unusual sincerity. It had come to all ears, and was the subject of that episcopal compliment which Oswald took as an affront. The impudent little choristers supported his loss by calling "Stingaree!" after him in the street: he was wise to keep his eye-glass for the house.